Large Drumset Layouts
Large Drumset Layouts
So over the past several months I've added several pieces on to my standard kit. Additonal high and low toms. A cymbol or 2, and chimes, cowbell, and woodblock.
I was really comfertable on my old setup and since adding things I'm feeling more awkward back there. I'm wondering how you guys tend to setup your larger kits so they work for you rather that getting in your way.
Here's what I'm working with: 14 snare, 22 bass drum, 8, 10, 12, 14 rack toms, 16 floor tom. 14 hihats, 6, 8 splashes, 16, 17 crashes, 16 china, 18 crash ride, 20 ride. Cowbell, jam block and chimes.
This is how I was setup before getting more splashes and the effects. http://drumgods.home.comcast.net/pdplayout.jpg I'm really just looking for suggestions on how to improve my setup and to get a look at other setups.
I made that picture using DW's drumset layout thinggy. I'll get real pictures when I get some time.
I was really comfertable on my old setup and since adding things I'm feeling more awkward back there. I'm wondering how you guys tend to setup your larger kits so they work for you rather that getting in your way.
Here's what I'm working with: 14 snare, 22 bass drum, 8, 10, 12, 14 rack toms, 16 floor tom. 14 hihats, 6, 8 splashes, 16, 17 crashes, 16 china, 18 crash ride, 20 ride. Cowbell, jam block and chimes.
This is how I was setup before getting more splashes and the effects. http://drumgods.home.comcast.net/pdplayout.jpg I'm really just looking for suggestions on how to improve my setup and to get a look at other setups.
I made that picture using DW's drumset layout thinggy. I'll get real pictures when I get some time.
Last edited by 3vil0n3 on Fri Feb 03, 2006 4:07 pm, edited 1 time in total.
- jsgksu
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01. Yamaha 22"x18" recording custom kick
02. Yamaha 8" tom
03. Yamaha 10" tom
04. Yamaha 12" tom
05. Yamaha 14" tom
06. Yamaha 18" floor tom
07. 13"x51/2" Ocheltree bronze snare
08. 13" Ocheltree bronze timbale
09. 14" Ocheltree bronze timbale
10. Zildjian 13" Z Dyno Beat hi-hat (on top) over 13" K Top Hi-hat (on bottom)
11. Zildjian 13" A Custom Projection Hi-hats
12. Zildjian 18" Oriental Trash Crash
13. Zildjian 14" K Dark Thin Crash
14. Zildjian 20" A Custom Flat Ride
15. Zildjian 20" A Custom Projection Ride
16. Zildjian 6" Zil-Bel
17. Chinese wedding bell
18. Zildjian 18" K Dark Medium Thin Crash
19. Zildjian 17" K Dark Medium Thin Crash
20. Zildjian 10" A Custom Splash
21. Zildjian 9" Oriental Trash Splash
22. Zildjian 10" A Extra Thin Splash
23. Zildjian 14" K Dark Thin Crash
24. Zildjian 8" A Splash (piggyback on #22)
25. Zildjian 22" Oriental China Trash
26. Zildjian 20" Oriental China Trash (piggyback on #25)
27. Zildjian 20" Oriental Crash Of Doom
28. Zildjian 30" Hand Hammered Gong
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The best diagram I know of Carters kit is at http://www.beaufordbuddy.com/cbhomepage/drum_kit.htm but like I said, I'm not trying to copy him. I just want to hear from drummers with large kits and find out how they get by.
what kind of stands you got man?
your going to need boom stands for a few of those cymbals, and whatdo you have for your blocks? and what type of blocks?
your going to need boom stands for a few of those cymbals, and whatdo you have for your blocks? and what type of blocks?
"Great spirits have always encountered violent opposition from mediocre minds" - Albert Einstein
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"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
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ive been playing huge kits for a long time. and i really think the best way to set up a kit is symmetrically. i always used two kicks, but you can do it with one. three rack toms on top (id suggest the 10 first, then the 8, then the 12), id put that 14 with your 16 on the floor, or put your 14 on your left as a floor tom (for bass hits or accents). all your splashes stacked in front of you above your rack toms, your crashes above those but mounted on the outside edges of your kit, id suggest buying another china, and mounting those above your crashes to your sides (i.e. in line with your floor tom and a little behind your hi hats). and your ride mounted a little behind your floor tom. little trick of the trade i found, if you mount your ride at an extreme angle, ive found it easier to play it faster with your arm angled to the side instead of playing straight on top of it. not sure about chimes and jam blocks, ive always played death metal/grindcore so ive never needed 'em, but i imagine you could mount them next to your hi hats, maybe jam blocks in between your hi hats and snare. this set up has always helped me keep everything in line and easy to remember when things got technical. hope this helps you some.
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it's all about personal preference, what he said is a good starting point, then adjust to your likings. I like my blocks to the upper right of my hit hat, my cowbell is mounted on my bass drum above my right leg.
"Great spirits have always encountered violent opposition from mediocre minds" - Albert Einstein
"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
Pretty much all of my stands are boom stands. I'm a little limited because 2 of my toms have to be attached to cymbal stands. I've been used to my 8 spash next to my hihats for so long it's really messing me up to put it anywhere else.
I've tried the symmetrical root before and I just don't think it's for me. My real problem seems to be I just keep adding on off to the right and have to practically turn around to get to the lowest tom.
Thanks for the suggestions though.
I've tried the symmetrical root before and I just don't think it's for me. My real problem seems to be I just keep adding on off to the right and have to practically turn around to get to the lowest tom.
Thanks for the suggestions though.
man That DW thing is aweosme I was always looking for something like that on the net, I'll post my kit set up and a suggestion for yours later
"Great spirits have always encountered violent opposition from mediocre minds" - Albert Einstein
"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
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I keep my splash night to my high hat as well, i will always have one there I dont think I could move it from there, try having a crash above that as best as you can. it would be hard to keep adding stuff to the right, maybe pratice using your left hand on crash hit and have one to the left, since you have boom stands you can vary the elevation of cymbals to put them were you want them
as for blocks, i like them near where my splash goes, percussion stuff like that tends to go towards the left. I dont have experiance with chimes, it would be used less I would assume then most of your stuff, perhaps try that out of the way to either your left or right, depending on which hand will be needed for how you wanna use it
try the bass drum attachment for the cowbell, it is convienent for both hands, especially if you are comfortable with open and crossed sticked playing. Being versitile will help you have more options when deciding where to put equipment
as for blocks, i like them near where my splash goes, percussion stuff like that tends to go towards the left. I dont have experiance with chimes, it would be used less I would assume then most of your stuff, perhaps try that out of the way to either your left or right, depending on which hand will be needed for how you wanna use it
try the bass drum attachment for the cowbell, it is convienent for both hands, especially if you are comfortable with open and crossed sticked playing. Being versitile will help you have more options when deciding where to put equipment
"Great spirits have always encountered violent opposition from mediocre minds" - Albert Einstein
"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
"They are ill discoverers that think that there is no land if they see nothing but a sea." —Francis Bacon
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