i didnt use oneKahnTheRevelator wrote:Josh, what tab did you use for Phunkdafied?
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listening and looking at the videoKahnTheRevelator wrote:did you tab it out yourself by any chance? or did you use sheetmusic? How did you learn it is what I'm asking....fatjack wrote:i didnt use oneKahnTheRevelator wrote:Josh, what tab did you use for Phunkdafied?
I'm Josh: sometimes known as Steve
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hey FJ what do you know about transcribing maqamat to western notation and to western instruments. for instance the saba and sikah maqamat have things like... quarter flats and the like. is it even possible on a fretted instrument? and if so, what's the nearest translation? or would i have to just suck it up and use things like the hispano-arabian scale?
Where do you expect us to go when the bombs fall...
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i dont know how to read eastern music, but i doubt it would be very convenient to transcribe eastern music the western notation.aleceiffel wrote:hey FJ what do you know about transcribing maqamat to western notation and to western instruments. for instance the saba and sikah maqamat have things like... quarter flats and the like. is it even possible on a fretted instrument? and if so, what's the nearest translation? or would i have to just suck it up and use things like the hispano-arabian scale?
and like tictacs said, you have to bend to get quarter tones on a fretted instrument
I'm Josh: sometimes known as Steve
True. I was in a class in highschool w some weird chick. Well a few years later she gets arrested for injecting bleach into her mothers arm and killing her. The body was dumped near my girlfriend at the time's house. Pretty crazy to see this girl on the news and in handcuffs , just two years after sharing a book with her in music class. Good thing she like me. True story.MWR wrote:There's always a handful of ass clowns in music classes. You've been warned.
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GoodCharlotte sux, SimplePlan sux, Yellowcard sux - do not pay money to see or hear this crap
listen to strungout, real punkrock
listen to strungout, real punkrock
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Got a question.
Why notate things in minor keys rather than leaving them in the major? In terms of why isn't say J.S.B's Partita 3 in Aminor not just Partita 3 in Cmaj, if its the same key sig/notes.
Is it just a style choice or convention or are their really different notes in there (harmonic vs natural minor or some other concept I'm also fuzzy on)? Or is it just that you're "centered" around a different tone with the same notes?
This has always kind of confused me...
Why notate things in minor keys rather than leaving them in the major? In terms of why isn't say J.S.B's Partita 3 in Aminor not just Partita 3 in Cmaj, if its the same key sig/notes.
Is it just a style choice or convention or are their really different notes in there (harmonic vs natural minor or some other concept I'm also fuzzy on)? Or is it just that you're "centered" around a different tone with the same notes?
This has always kind of confused me...
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Well really, in Am, the chord progression isn't the same exact thing as it would be in Cmaj. Like a I IV V in Cmaj isn't the same in Am. I'm not sure if that's why, just taking a crack at it.MattJ wrote:Got a question.
Why notate things in minor keys rather than leaving them in the major? In terms of why isn't say J.S.B's Partita 3 in Aminor not just Partita 3 in Cmaj, if its the same key sig/notes.
Is it just a style choice or convention or are their really different notes in there (harmonic vs natural minor or some other concept I'm also fuzzy on)? Or is it just that you're "centered" around a different tone with the same notes?
This has always kind of confused me...
Shows Been to: 7-17-02, 12-15-03, 7-20-04, 7-5/6-05
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for the most part. the reason songs are in major and minor are for very specific reasons, not just because the composer called it whatever the fuck he wanted to.MattJ wrote:Got a question.
Why notate things in minor keys rather than leaving them in the major? In terms of why isn't say J.S.B's Partita 3 in Aminor not just Partita 3 in Cmaj, if its the same key sig/notes.
Is it just a style choice or convention or are their really different notes in there (harmonic vs natural minor or some other concept I'm also fuzzy on)? Or is it just that you're "centered" around a different tone with the same notes?
This has always kind of confused me...
the main difference is the fact that A is the tonic, not C. this means that all the notes are "centered" (as you put it) around A; that is to say that all the notes resolve to A.
also you mentioned harmonic minor. harmonic and melodic minor are forms of the minor scale and are imbedded within the concept of minor. a song isn't in natural minor or harmonic minor, its just in minor.
also because of these different scale forms, minor has more notes than major. for instance C major has 7 tones: C D E F G A B, while A minor has 9 tones A B C D E F F# G G#. this is because minor ascends with certain tones and descends with other tones, while major ascends and descends with the same notes
I'm Josh: sometimes known as Steve
We're talking scales here right, not keys? I was under the impression that they aren't necessarily interchangeable.fatjack wrote:
also because of these different scale forms, minor has more notes than major. for instance C major has 7 tones: C D E F G A B, while A minor has 9 tones A B C D E F F# G G#. this is because minor ascends with certain tones and descends with other tones, while major ascends and descends with the same notes
So on the way up the minor scale the intervals are WHWWWWH and down is WWHWWHW (what I would have guessed a minor scale's intervals to be both ways). Where does this variation come from? Is there a "mathematical" reason for that structure, for lack of a better word.
That's a minor third between the 6th and the tonic on the way up, but just using the relative majors notes it 'should' be a major 3rd... Crap I'm just spinning my wheels now.
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