what you are breakdown
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what you are breakdown
im 99% sure that in the standard tuning version of what you are, the 3rd chord is 222xxx, not 221xxx
Everybody always asks me how she's doing. Has she really lost her mind? I said "I couldn't tell you, I've lost mine."
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- cave_cricket
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To put this arguement to rest.
The one on the site is 100% correct, whether it sounds good to you or not. To make it sound better, try hit ONLY the top 3 strings and not even muting the rest....that should help with the sound. I do agree it doesn't always sound good to me either but when I realize I hit ONLY the top 3 strings it sounds PERFECT
REASONING FOR 221:
Baritone tuning is 5 half-steps(frets on the guitar) lower that standard tuning. I don't know the actual terminology so that might be wrong....sue me.
Anyway, to convert from Baritone to Standard tuning you move each note down 5 frets on the guitar. Now, this can't techically be done for an open-A chord as it is on the 2nd fret. But take a look at this......If you move 5 frets down on the same string.....then use normal guitar knowledge to know that if you move one string up and 5-frets up, it is the same note. So essentially if you have:
7onA -----> 5 frets down on same string
2onA -----> 5 frets up and up 1 string
7onE
You end up with the same fret as the original note but 1 string up. So we take the top two 2's and move them up 1 string to the E&A strings...they stay on the 2nd fret. Move the 1onG up 1 string so it's 1onD.....FINAL DECISION
2-2-1
Now the thing that causes most problems with people's understanding is that if we do the same thing...but START on the B string(the bottom 2 in the open-A chord) ...it turned out like this
7onB -----> 5 frets down on same string
2onB -----> 4 frets up and up 1 string
6onD
We only move 4 frets up because basic guitar knowledge tells us that when going from the G->B or B->G you only move 4 frets down or up(respectively) in order to get the same note. This essentially is like moving 1 string up and 1 fret down.
That doesn't apply to this case but it is just there to help you out w/ the rest of your conversions.
I hope everyone has enjoyed "Baritone -> Standard Conversion 101" Lemme know if anyone has anything here to correct...peace all
The one on the site is 100% correct, whether it sounds good to you or not. To make it sound better, try hit ONLY the top 3 strings and not even muting the rest....that should help with the sound. I do agree it doesn't always sound good to me either but when I realize I hit ONLY the top 3 strings it sounds PERFECT
REASONING FOR 221:
Baritone tuning is 5 half-steps(frets on the guitar) lower that standard tuning. I don't know the actual terminology so that might be wrong....sue me.
Anyway, to convert from Baritone to Standard tuning you move each note down 5 frets on the guitar. Now, this can't techically be done for an open-A chord as it is on the 2nd fret. But take a look at this......If you move 5 frets down on the same string.....then use normal guitar knowledge to know that if you move one string up and 5-frets up, it is the same note. So essentially if you have:
7onA -----> 5 frets down on same string
2onA -----> 5 frets up and up 1 string
7onE
You end up with the same fret as the original note but 1 string up. So we take the top two 2's and move them up 1 string to the E&A strings...they stay on the 2nd fret. Move the 1onG up 1 string so it's 1onD.....FINAL DECISION
2-2-1
Now the thing that causes most problems with people's understanding is that if we do the same thing...but START on the B string(the bottom 2 in the open-A chord) ...it turned out like this
7onB -----> 5 frets down on same string
2onB -----> 4 frets up and up 1 string
6onD
We only move 4 frets up because basic guitar knowledge tells us that when going from the G->B or B->G you only move 4 frets down or up(respectively) in order to get the same note. This essentially is like moving 1 string up and 1 fret down.
That doesn't apply to this case but it is just there to help you out w/ the rest of your conversions.
I hope everyone has enjoyed "Baritone -> Standard Conversion 101" Lemme know if anyone has anything here to correct...peace all
jkanter
"Celebrate we will, Cause life is short but sweet for certain" - Two Step
"Ain't Nothing Wrong, ain't nothing right and still I sit and lie awake all night" - DJ's(Sublime)
"Celebrate we will, Cause life is short but sweet for certain" - Two Step
"Ain't Nothing Wrong, ain't nothing right and still I sit and lie awake all night" - DJ's(Sublime)
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- DMBFreak84
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yep, kanter's completely right....
ive been playing the 221 chord all the time and i have to be careful when i hit the three strings and not hit anything else because the open d string above the a sounds like crap when its hit in addition to the chord....
ive been playing the 221 chord all the time and i have to be careful when i hit the three strings and not hit anything else because the open d string above the a sounds like crap when its hit in addition to the chord....
-Mike-
"A dream it's true
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wasting my time
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"A dream it's true
but I'd see it through
if I could be
wasting my time
with you..."
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ya man youre rightjkanter wrote:To put this arguement to rest.
The one on the site is 100% correct, whether it sounds good to you or not. To make it sound better, try hit ONLY the top 3 strings and not even muting the rest....that should help with the sound. I do agree it doesn't always sound good to me either but when I realize I hit ONLY the top 3 strings it sounds PERFECT
REASONING FOR 221:
Baritone tuning is 5 half-steps(frets on the guitar) lower that standard tuning. I don't know the actual terminology so that might be wrong....sue me.
Anyway, to convert from Baritone to Standard tuning you move each note down 5 frets on the guitar. Now, this can't techically be done for an open-A chord as it is on the 2nd fret. But take a look at this......If you move 5 frets down on the same string.....then use normal guitar knowledge to know that if you move one string up and 5-frets up, it is the same note. So essentially if you have:
7onA -----> 5 frets down on same string
2onA -----> 5 frets up and up 1 string
7onE
You end up with the same fret as the original note but 1 string up. So we take the top two 2's and move them up 1 string to the E&A strings...they stay on the 2nd fret. Move the 1onG up 1 string so it's 1onD.....FINAL DECISION
2-2-1
Now the thing that causes most problems with people's understanding is that if we do the same thing...but START on the B string(the bottom 2 in the open-A chord) ...it turned out like this
7onB -----> 5 frets down on same string
2onB -----> 4 frets up and up 1 string
6onD
We only move 4 frets up because basic guitar knowledge tells us that when going from the G->B or B->G you only move 4 frets down or up(respectively) in order to get the same note. This essentially is like moving 1 string up and 1 fret down.
That doesn't apply to this case but it is just there to help you out w/ the rest of your conversions.
I hope everyone has enjoyed "Baritone -> Standard Conversion 101" Lemme know if anyone has anything here to correct...peace all
it sounds better when you only hit the top 3 strings
i think maybe the partial reason it doesnt sound quite as good is because youre not getting that low b of the baritone in there
Everybody always asks me how she's doing. Has she really lost her mind? I said "I couldn't tell you, I've lost mine."
-Pay For What You Get
PS- My name isn't really John.
-Pay For What You Get
PS- My name isn't really John.
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