My Joint-Effort Greystreet Mixdown (Tutorial-esque)
My Joint-Effort Greystreet Mixdown (Tutorial-esque)
It was asked that if I did a mixdown to describe the process that I went through, as to make it a learning tool for everyone. So, without further ado:
Scott Dial's Joint-Effort Greystreet Mixdown Session Tutorial
If you would just like to hear it, and not read the tutorial, please Use this link to help out by not downloading the 700kb of images.
EDIT: Roastbeef is kindly providing the hosting space for my little tutorial. scottdial.com and myself will be without internet connection until September 10th. I will be able to get online while on-campus, but the RoadRunner connection to my aparmtent won't be installed until then. I plan to take the long hiatus from the internet to *gasp* write music.
Scott Dial's Joint-Effort Greystreet Mixdown Session Tutorial
If you would just like to hear it, and not read the tutorial, please Use this link to help out by not downloading the 700kb of images.
EDIT: Roastbeef is kindly providing the hosting space for my little tutorial. scottdial.com and myself will be without internet connection until September 10th. I will be able to get online while on-campus, but the RoadRunner connection to my aparmtent won't be installed until then. I plan to take the long hiatus from the internet to *gasp* write music.
Last edited by geekmug on Thu Aug 28, 2003 4:44 pm, edited 2 times in total.
- Trippin Hillbilly
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Oh yah, after having been fiddling with these tracks for a considerable amount of time.. I wanted to give some feedback to the performers..
Roastbeef: You guitar playing was great.. again, your recording is sonically heavy.. not sure if it is the way you mic it (or what), but it was ok. Your singing is good, but it didn't work with trippin's voice all the time.. purely a subjective thing.. your singing is alright, just didn't work with his all of the time. I'm glad you did the track because it definitely was an excellent backup to his vocals.
Billyweston: My only wish was that you didn't play quite so staccato, and maybe the last jam, you could have strummed out some more. Otherwise, it was good playing and choice of voicings.
Appsoldier: Solid job, only thing was that you fell into a common pitfall of electric guitar playing. Your dynamic is pretty much constant the entire way through, which I felt needed to be shaped more than that. Not a problem on the recording 'cause I can fix that (and did) in the mixdown, but in a live setting you would need to do this either on the guitar's volume pot or with a volume pedal (the latter being the preferable way). Excellent playing and improvs.
Trippin: Your voice is great.. my only complaint was that you didn't plan with enough headroom for the screams and so it clips the slightest bit. I still get chills on the last yell. Great job.
Sorry, if I am being a little critical.. I just was forced to think about these things as I mixed it, and hope you take my feedback as not being too critical.. I think the end product sounds amazing, afterall.
Roastbeef: You guitar playing was great.. again, your recording is sonically heavy.. not sure if it is the way you mic it (or what), but it was ok. Your singing is good, but it didn't work with trippin's voice all the time.. purely a subjective thing.. your singing is alright, just didn't work with his all of the time. I'm glad you did the track because it definitely was an excellent backup to his vocals.
Billyweston: My only wish was that you didn't play quite so staccato, and maybe the last jam, you could have strummed out some more. Otherwise, it was good playing and choice of voicings.
Appsoldier: Solid job, only thing was that you fell into a common pitfall of electric guitar playing. Your dynamic is pretty much constant the entire way through, which I felt needed to be shaped more than that. Not a problem on the recording 'cause I can fix that (and did) in the mixdown, but in a live setting you would need to do this either on the guitar's volume pot or with a volume pedal (the latter being the preferable way). Excellent playing and improvs.
Trippin: Your voice is great.. my only complaint was that you didn't plan with enough headroom for the screams and so it clips the slightest bit. I still get chills on the last yell. Great job.
Sorry, if I am being a little critical.. I just was forced to think about these things as I mixed it, and hope you take my feedback as not being too critical.. I think the end product sounds amazing, afterall.
it's my limited bandwidth.. that page is served from my computer witha 32k/s upstream cap.. everyone hitting it is maxing it out and then some image requests timeout.. if you reload a couple of times, you should be able to get them all (or check back later when this is not as new).
OR, if someone wants to host it somewhere else, I can provide the files.
fatjack: That would be fine.. I told roastbeef that I was probably going to track to play along with this 'cause it should be easier to now with more to go off of. I probably won't update the tutorial page, but I can rework the mix for other additional performers.
OR, if someone wants to host it somewhere else, I can provide the files.
fatjack: That would be fine.. I told roastbeef that I was probably going to track to play along with this 'cause it should be easier to now with more to go off of. I probably won't update the tutorial page, but I can rework the mix for other additional performers.
- fatjack
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you don't have to update the tutorial... i use a completely different program than everybody else here and roast wanted me to give a few tips too. all i added was a 12 string track, bass, and a second set of back up vocals. if you could would you please send me a drum track before i finish mixing. just make sure you zero it at the same time roastbeef is on his guitar track, i had to cut westom's trackgeekmug wrote:it's my limited bandwidth.. that page is served from my computer witha 32k/s upstream cap.. everyone hitting it is maxing it out and then some image requests timeout.. if you reload a couple of times, you should be able to get them all (or check back later when this is not as new).
OR, if someone wants to host it somewhere else, I can provide the files.
fatjack: That would be fine.. I told roastbeef that I was probably going to track to play along with this 'cause it should be easier to now with more to go off of. I probably won't update the tutorial page, but I can rework the mix for other additional performers.

I'm Josh: sometimes known as Steve
i actually just got a volume pedal the other day so im doing so real experimenting now. this is one of the few times ive done electric improv though. im mostly a rhythm acoustic guitarist. but thanks for the tips...really i want all i can get. so if you have anything else for me, put it here or pm me or something, because this is a whole new dominion to me.geekmug wrote:Oh yah, after having been fiddling with these tracks for a considerable amount of time.. I wanted to give some feedback to the performers..
Appsoldier: Solid job, only thing was that you fell into a common pitfall of electric guitar playing. Your dynamic is pretty much constant the entire way through, which I felt needed to be shaped more than that. Not a problem on the recording 'cause I can fix that (and did) in the mixdown, but in a live setting you would need to do this either on the guitar's volume pot or with a volume pedal (the latter being the preferable way). Excellent playing and improvs.
- Trippin Hillbilly
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do·min·ion ( P ) Pronunciation Key (d-mnyn)
n.
Control or the exercise of control; sovereignty: “The devil... has their souls in his possession, and under his dominion” (Jonathan Edwards).
A territory or sphere of influence or control; a realm.
often Dominion Abbr. Dom. One of the self-governing nations within the British Commonwealth.
dominions Christianity. See domination.
as in the raw guitarist wanted dominion over fingers when trying his damndest to play lead electric improv
n.
Control or the exercise of control; sovereignty: “The devil... has their souls in his possession, and under his dominion” (Jonathan Edwards).
A territory or sphere of influence or control; a realm.
often Dominion Abbr. Dom. One of the self-governing nations within the British Commonwealth.
dominions Christianity. See domination.
as in the raw guitarist wanted dominion over fingers when trying his damndest to play lead electric improv

- Trippin Hillbilly
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The guitar has a B-Band A1/AST and that's plugged via a 1/4" to 1/8" reducer directly into the sound card (Crystal soundcard on a Dell Latitude). How can I record a better track? Is the Recording volume too high?geekmug wrote:Roastbeef: You guitar playing was great.. again, your recording is sonically heavy.. not sure if it is the way you mic it (or what), but it was ok.
I agree with you. I think there are some background vocals that add a lot to this song (espcecially the the "fire to this life" part) so I decided to throw it in there. I think I was a bit to raspy in spots and my voice may not have meshed well with Trippin's powerful voice. In retrospect, I would've smoothed out my parts just to add an interesting harmony. Please note, I have been singing for only a short time and know next to nothing about harmonizing a vocal part. I simply tried a few things until I hit notes I thought sounded okay.geekmug wrote: Your singing is good, but it didn't work with trippin's voice all the time.. purely a subjective thing.. your singing is alright, just didn't work with his all of the time. I'm glad you did the track because it definitely was an excellent backup to his vocals.
I know what you mean about being a bit too staccato. It was a great addition though and I think rounded out the rhythm a lot especially since the main rhythm was done on a 6. And I concur, great voicings!geekmug wrote: Billyweston: My only wish was that you didn't play quite so staccato, and maybe the last jam, you could have strummed out some more. Otherwise, it was good playing and choice of voicings..
I will say that after hearing geekmug's mix, I really enjoyed your leads much more. I think he nailed it about the level being the same throughout and why I initially felt it didn't fit in spots. His mix definitley did it justice though and I think it sounds great.geekmug wrote: Appsoldier: Solid job, only thing was that you fell into a common pitfall of electric guitar playing. Your dynamic is pretty much constant the entire way through, which I felt needed to be shaped more than that. Not a problem on the recording 'cause I can fix that (and did) in the mixdown, but in a live setting you would need to do this either on the guitar's volume pot or with a volume pedal (the latter being the preferable way). Excellent playing and improvs.
A few comments on your sound though. Mellow out a bit on the overdrive/distortion. It's way too heavy. Likewise, the reverb was too heavy and made for a track that was too full and chunky. In this setting a slightly distorted electric (or maybe even clean?) sound with much less reverb would've sounded better, IMO. Maybe even more mids to give a more classic electric sound would've worked better.
Not much to critique here. You really do carry this thing.geekmug wrote: Trippin: Your voice is great.. my only complaint was that you didn't plan with enough headroom for the screams and so it clips the slightest bit. I still get chills on the last yell. Great job..
I agree your mix sounded much better than mine. I especially liked where you placed the acoustics. Oh, and by the way - Trippin's vocal track I provided didn't have a modification that Trippin requested. There should be a half second of silence added at 4:07 to help with some timing issues at the end.geekmug wrote: Sorry, if I am being a little critical.. I just was forced to think about these things as I mixed it, and hope you take my feedback as not being too critical.. I think the end product sounds amazing, afterall.
I have no problem hosting the tutorial for you and I have plenty of bandwidth. PM me.geekmug wrote:OR, if someone wants to host it somewhere else, I can provide the files.
fatjack: That would be fine.. I told roastbeef that I was probably going to track to play along with this 'cause it should be easier to now with more to go off of. I probably won't update the tutorial page, but I can rework the mix for other additional performers.
fatjack: why don't you pass along your raw bass, 12, and vocal tracks to geekmug so he can mix them in using his approach. That way both of you will have all the tracks to work with and we can maybe get some dialogue on who's we like better, etc...
Oh and please include billy's track somewhere in it. That's only fair.
- fatjack
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i would but i can't, his tracked isn't lined up with the rest of them for some reason. i tried for about an hour and a half to get it lined up, but i can't do it in acid pro. if he really wants it on my mixdown, he can re-record it, but if he doesn't i, there isn't a thing i can do about it. sorryRoastbeef wrote:Oh and please include billy's track somewhere in it. That's only fair.

and if you w are gonna do the drum track geekmug, please PM me and confirm so i know whether to procede with what i have or wait till you do your drums. thanks
I'm Josh: sometimes known as Steve
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