USA today article
- c_tietze
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Goes to show that this album truly is a mish mash and a real stream of consciousness piece. It truly sounds as it is described, a jumble of "cool" riffs and beats created off the cuff.
If SU keeps DMB fresh and interested in making more music that's great, but I still don't care for this new disc save a very few tracks.
Great article though. Thanks.
If SU keeps DMB fresh and interested in making more music that's great, but I still don't care for this new disc save a very few tracks.
Great article though. Thanks.
~ And rain washed away all her tears and I smiled done away was the sum of all my fears ~
- filmdude100cms
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- c_tietze
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That's all we can ask for right?filmdude100cms wrote:good article, seems like the album served its purpose, kept the band fresh wich is nice.
EDIT: I say this because I really DO appreciate DMB's music and anything that keeps 'em around is kosher w/me.
~ And rain washed away all her tears and I smiled done away was the sum of all my fears ~
- Kahn
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USA Today wrote:Some instrument-swapping went on. Matthews played the piano; Tinsley toyed with the electric mandolin. Bass player Stefan Lessard picked up a guitar and played some alternative-rock riffs that led to the U2-flavored Hunger for the Great Light. A sultry LeRoi Jones sax line served as the roots for Stolen Away on 55th and 3rd.



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- c_tietze
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I feel you holmes, I feel you.jeffro wrote:Yeah, it came from the guts. As in upchuck!Matthews says. "It's a contemporary-sounding record, but it's got a whole lot of back porch to it, too, because ... a lot of the stuff came up from the guts."
Seriously, I liked a good bit of the new album, but the other good bit, is crap.
~ And rain washed away all her tears and I smiled done away was the sum of all my fears ~
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