Learning to play Bass?
Learning to play Bass?
So I got recruited by an old college friend to play in a band with him. we used to do open mics together which turned into an offer to be the bi-weekly act, but we were too busy. He moved to san diego and was playing some stuff he wrote and it is fucking awesome. he doesnt even listen to DMB, but some of the stuff he has written is very reminisent of LIOG and shit. And since i am so into the jam band style ( i know dmb isnt a jam band) I am helping him write these songs into longer jam style songs.
So he wants me to play bass for him, but I dont know how. any advice? he is giving me his bass and i was just wondering if anyone has done the transition and help. I dont want to be the borig bassist that plays just the root notes, i want to actually play.
So he wants me to play bass for him, but I dont know how. any advice? he is giving me his bass and i was just wondering if anyone has done the transition and help. I dont want to be the borig bassist that plays just the root notes, i want to actually play.
- Coldchillin
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oh yeah... and actually use the low strings... ive seen a few bassists recently that think they're cool because they play the same bass note as the guitar with their hand all the way at the 12th fret... that defeats the purpose of a bass
~Andy (The artist formerly known as praisedave)
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I played bass for about 4-5 years untill the guitar fully took over my head....help. Anyways, I would suggest that you don't do the slap & pop stuff. That instantly turns me off, unless its unbelievably good(Wooten, Claypool), or unbelievably tasteful(Mike Gordon).
I would suggest you focus on getting as tight as you can with the bass drum and snare, and learn to play off the drummers rythym(I assume this will be a band, not a duo, right?). You can also learn to play some nice harmony to whatever the guitar is doing, or you can follow the vocal melody.
If the bass is cheap, and your friend dosn't care, you can make it into a fretless....or a better option, a fretless after the 8th fret(not sure if that would work, but it sounds cool). I've converted mine to a fretless, so ask me before you try it-
I would suggest you focus on getting as tight as you can with the bass drum and snare, and learn to play off the drummers rythym(I assume this will be a band, not a duo, right?). You can also learn to play some nice harmony to whatever the guitar is doing, or you can follow the vocal melody.
If the bass is cheap, and your friend dosn't care, you can make it into a fretless....or a better option, a fretless after the 8th fret(not sure if that would work, but it sounds cool). I've converted mine to a fretless, so ask me before you try it-
- myxomatosis
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how would making it into a fretless bass help him?juineaux wrote:If the bass is cheap, and your friend dosn't care, you can make it into a fretless....or a better option, a fretless after the 8th fret(not sure if that would work, but it sounds cool). I've converted mine to a fretless, so ask me before you try it-

how does slapping help him?thepackage0 wrote:how would making it into a fretless bass help him?juineaux wrote:If the bass is cheap, and your friend dosn't care, you can make it into a fretless....or a better option, a fretless after the 8th fret(not sure if that would work, but it sounds cool). I've converted mine to a fretless, so ask me before you try it-
anyways, he wants to do something that isn't just standard root playing...and a fretless will give you a different kind of sound that isn't boring. On second thought, I wouldn't do the fretless thing, because its alot of pressure to always play with proper intonation live.
hes a seasoned guitar player. a transfer to the basics is pretty much effortless to spice it up he can slap, go fretless, tap, whatever his style is.
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I didn't know that fretless basses had a different sound to them.juineaux wrote:how does slapping help him?thepackage0 wrote:how would making it into a fretless bass help him?juineaux wrote:If the bass is cheap, and your friend dosn't care, you can make it into a fretless....or a better option, a fretless after the 8th fret(not sure if that would work, but it sounds cool). I've converted mine to a fretless, so ask me before you try it-
anyways, he wants to do something that isn't just standard root playing...and a fretless will give you a different kind of sound that isn't boring. On second thought, I wouldn't do the fretless thing, because its alot of pressure to always play with proper intonation live.

I still wouldn't do it because he's just learning the bass... maybe after he gets a better feel of it he could go fretless.
And although I'm not the one that said for him to learn slapping, it would help because it is a valuable technique to have... not that its the first thing he should learn.

oh yeah fretless tone makes normal tone sound like pins and needlesthepackage0 wrote:I didn't know that fretless basses had a different sound to them.juineaux wrote:how does slapping help him?thepackage0 wrote:how would making it into a fretless bass help him?juineaux wrote:If the bass is cheap, and your friend dosn't care, you can make it into a fretless....or a better option, a fretless after the 8th fret(not sure if that would work, but it sounds cool). I've converted mine to a fretless, so ask me before you try it-
anyways, he wants to do something that isn't just standard root playing...and a fretless will give you a different kind of sound that isn't boring. On second thought, I wouldn't do the fretless thing, because its alot of pressure to always play with proper intonation live.![]()
I still wouldn't do it because he's just learning the bass... maybe after he gets a better feel of it he could go fretless.
And although I'm not the one that said for him to learn slapping, it would help because it is a valuable technique to have... not that its the first thing he should learn.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
Youre right its a valuable technique to learn, hell I loved doing that. I'm sorry to be so anti-slapping at the moment, but I had to judge a battle of the bands last weekend....seven full hours of bad heavy metal slapping-thepackage0 wrote: And although I'm not the one that said for him to learn slapping, it would help because it is a valuable technique to have... not that its the first thing he should learn.
when done poorly slappin is bad. everybody thinks they have to go as fast as possible to sound goodjuineaux wrote:Youre right its a valuable technique to learn, hell I loved doing that. I'm sorry to be so anti-slapping at the moment, but I had to judge a battle of the bands last weekend....seven full hours of bad heavy metal slappingthepackage0 wrote: And although I'm not the one that said for him to learn slapping, it would help because it is a valuable technique to have... not that its the first thing he should learn.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
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slapping should definitely NOT be your first concern.
like juineaux said, locking int he rhythm is the most important thing to get down when you first start playing.
as for not playing the root, you need to have a thorough knowledge of arpeggios and know the progression of a song inside and out. it takes time and lots of practice, but you'll start to see which patterns and rhythms are idiomatic
like juineaux said, locking int he rhythm is the most important thing to get down when you first start playing.
as for not playing the root, you need to have a thorough knowledge of arpeggios and know the progression of a song inside and out. it takes time and lots of practice, but you'll start to see which patterns and rhythms are idiomatic
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