Wow...having an amp makes all the difference

So you're amazed as to how Dave's rhythm guitar slaps and strums so "perfectly"...but you can't. Ask all things about Dave and his guitars here.

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little ants734
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Unread post by little ants734 » Wed Mar 02, 2005 2:20 pm

so davy what is good to have, what does dave use or have? when i get a new guitar what should be on it?
and all the little ants are marching..
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Davy28
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Unread post by Davy28 » Wed Mar 02, 2005 2:43 pm

Dave uses a Fishman gold plus natural on his Martin guitars and A Fishman acoustic matrix on his taylors. It really doesn't matter what kind of pickup comes with an electric acoustic, as long as it sounds good. It helps if the pickup has a good preamp (with little switches) on it.
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Unread post by c_tietze » Wed Mar 02, 2005 2:48 pm

Of course Dave uses an expensive preamp as well. This matters a great deal in terms of tone.
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Kukini
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Unread post by Kukini » Wed Mar 02, 2005 7:30 pm

Raised B in my amp sounds pretty good. Just retunned last night. Fun stuff. YNK is hard though!
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dmbguitar718
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Unread post by dmbguitar718 » Wed Mar 02, 2005 7:44 pm

Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
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Dheibs
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Unread post by Dheibs » Wed Mar 02, 2005 7:51 pm

i got a taylor 314ce. the expression system is THE BEST pickup on the market...guaranteed.
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Kahn
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Unread post by Kahn » Wed Mar 02, 2005 8:00 pm

Dheibs wrote:i got a taylor 314ce. the expression system is THE BEST pickup on the market...guaranteed.
how much did you pay for your guitar. im lookin to get the same thing. either that or a larrivee
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Sort Of A Protest Song
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Unread post by Sort Of A Protest Song » Wed Mar 02, 2005 9:34 pm

dmbguitar718 wrote:
Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
Really? I've heard it sounds really good. Never had the chance to hear it myself yet, though..
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Kukini
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Unread post by Kukini » Thu Mar 03, 2005 12:22 am

dmbguitar718 wrote:
Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
- Marq
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cruz610
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Unread post by cruz610 » Sun Mar 06, 2005 9:21 pm

I have the 30th anniversary limited edition taylor 414ce...mmmm....
414ce goodness
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Unread post by sunglassesatnight » Sun Mar 06, 2005 11:31 pm

Sort Of A Protest Song wrote:
dmbguitar718 wrote:
Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
Really? I've heard it sounds really good. Never had the chance to hear it myself yet, though..
The best way is to mic the guitar at the neck joint. If you're recording, it's good to have two pencil condensers pointed at the joint making a "V" shape, then pan them hard and make the mix nice later.
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TaylorGuy110
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Unread post by TaylorGuy110 » Sun Mar 06, 2005 11:41 pm

slimerdmb24 wrote:
Sort Of A Protest Song wrote:
dmbguitar718 wrote:
Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
Really? I've heard it sounds really good. Never had the chance to hear it myself yet, though..
The best way is to mic the guitar at the neck joint. If you're recording, it's good to have two pencil condensers pointed at the joint making a "V" shape, then pan them hard and make the mix nice later.
He is right ! one mic @ 30 degrees to sound hole @ 15th fret and the other opposite!
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sunglassesatnight
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Unread post by sunglassesatnight » Sun Mar 06, 2005 11:49 pm

TaylorGuy110 wrote:
slimerdmb24 wrote:
Sort Of A Protest Song wrote:
dmbguitar718 wrote:
Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
Really? I've heard it sounds really good. Never had the chance to hear it myself yet, though..
The best way is to mic the guitar at the neck joint. If you're recording, it's good to have two pencil condensers pointed at the joint making a "V" shape, then pan them hard and make the mix nice later.
He is right ! one mic @ 30 degrees to sound hole @ 15th fret and the other opposite!
Of course I'm right. 8)
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HCHaikuWarrior
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Unread post by HCHaikuWarrior » Mon Mar 07, 2005 9:14 am

Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
agreed.

well, on some songs the added amplified sound adds a little extra bass, kinda nice.
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Colors in my eyes" l dm l
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jellyfish
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Unread post by jellyfish » Mon Mar 07, 2005 11:16 am

Kukini wrote:
dmbguitar718 wrote:
Beauford33 wrote:eh, if coult have my way...Id rather just mic the soundhole. No amp sound can beat a full dreadnought unamped.
never mic the soundhole.
Bullshit. That's all opinion based. I think it sounds great. I recorded in my cousins studio with a mic & it sounded fucking awesome. It was a really expensive mic though.
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