Chord Construction/Modes

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gumbomadness
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Chord Construction/Modes

Unread post by gumbomadness » Fri Feb 18, 2005 11:01 pm

Okay, Im in the process of learning this, and i have a teacher, but i dont have lessons until tuesday so ive got some questions.
first, let me tell you what i DO know.

I know how to make, Major, Minor, 7th, Major 7th, Minor 7th, Augmented, Diminished, Major 6th, and 9th chords..
but i dont know about 13s and such.

Anyway,
ive been working with Modes and i notice that they all have particular sounds and flavors. Like, Ionian is very happy and normal, and that Dorian is very jazzy and.. anyway.

My question is, which chords go with which modes? (well)

I know which fit Ionian, and i know that in Dorian, Minor 7th and Minor 9ths work well...

and i know in Lydian, Major 7ths work well (but thats all i know),
and mixolydian Dom 7ths, and Dom 9ths work well, but what about the rest?

And when do the 11ths and 13ths come in?

So.. nutshell:
What chords work for Aeolian, Lydian, and Locrian modes?
And if you tell me which chords work, and they arent part of the list of chords i know how to make (meaning, knowing which scale degree to flatten or sharpen or add or remove or replace (sus) ) could you tell me how to make that chord? I dont know when to use 11 or 13 chords AT ALL, and i dont even know what flavor they seem to be.

Any help appreciated.
...oh this thread will get no responses. :cry:
" I give up on this six string shit. "
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MWR
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Unread post by MWR » Sat Feb 19, 2005 2:14 am

If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.

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Unread post by gumbomadness » Sat Feb 19, 2005 2:32 pm

MWR wrote:If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.
Ooo, i just add them. alright then, ya explain more in the thread that would be grand! 8)
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fatjack
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Unread post by fatjack » Sun Feb 20, 2005 8:07 pm

MWR wrote:If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.
actually, the 11th is traditionally the one that is dropped first. but the fifth is usually dropped as well considering that there are very few do-able formations for all six strings for any quality 13th chord

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Re: Chord Construction/Modes

Unread post by fatjack » Sun Feb 20, 2005 8:17 pm

gumbomadness wrote:Okay, Im in the process of learning this, and i have a teacher, but i dont have lessons until tuesday so ive got some questions.
first, let me tell you what i DO know.

I know how to make, Major, Minor, 7th, Major 7th, Minor 7th, Augmented, Diminished, Major 6th, and 9th chords..
but i dont know about 13s and such.

Anyway,
ive been working with Modes and i notice that they all have particular sounds and flavors. Like, Ionian is very happy and normal, and that Dorian is very jazzy and.. anyway.

My question is, which chords go with which modes? (well)

I know which fit Ionian, and i know that in Dorian, Minor 7th and Minor 9ths work well...

and i know in Lydian, Major 7ths work well (but thats all i know),
and mixolydian Dom 7ths, and Dom 9ths work well, but what about the rest?

And when do the 11ths and 13ths come in?

So.. nutshell:
What chords work for Aeolian, Lydian, and Locrian modes?
And if you tell me which chords work, and they arent part of the list of chords i know how to make (meaning, knowing which scale degree to flatten or sharpen or add or remove or replace (sus) ) could you tell me how to make that chord? I dont know when to use 11 or 13 chords AT ALL, and i dont even know what flavor they seem to be.

Any help appreciated.
...oh this thread will get no responses. :cry:
the trick is to really know what notes are in the key and how each mode relates to the other

for instance: The notes of the C major scale create seven different modes.
C Ionian (which is just the C major scale)
D Dorian
E Phrygian
F Lydian
G Mixolydian
A Aeolian
B Locrian

I'm assuming you know the diatonic order of chords for a major scale? i.e.

I ii iii IV V vi vii(dim)

so in C major that would be:

C Dm Em F G Am Bdim

and with sevenths:

Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5

now, if you know that C Ionian and D Dorian have the same notes, then they have the same order of chords as well just shifted down one. so the chords for the Dorian mode are:

i ii III IV v vi(dim) VII

do you see what i mean?

now as for knowing which extension to flat or sharp, you really have to think about the notes in the mode.

for instance, in C Ionian, the seventh chord of the third degree is Em7. if you wanted to make it a ninth chord, it couldn't just be Em9. why? because the 9th of E is F# (which is not in the mode). you have to flat the 9 and make it an F natural to keep it within the mode. so the chord would be Em7b9 (which is an ugly chord by the way)

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Unread post by gumbomadness » Sun Feb 20, 2005 8:21 pm

Ahhh i see. thatsnice. but wait, why shifted one down? you lost me there. i knew thediatonic order and all that.
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Unread post by fatjack » Sun Feb 20, 2005 8:33 pm

gumbomadness wrote:Ahhh i see. thatsnice. but wait, why shifted one down? you lost me there. i knew thediatonic order and all that.
well, think about it, they have all the same notes right?

C D E F G A B
D E F G A B C

the chords remain the same, just in a different order

Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5

Dm7 Em7 Fmaj7 G7 Am7 Bm7b5 Cmaj7

this also applies to all other modes the are derived from the same major scale

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Unread post by thejoe » Sun Feb 20, 2005 11:03 pm

im a visual learner, so...
fatjack wrote:

Code: Select all

C D E F G A B
  D E F G A B C
starts on teh second note, ends on the first
~joe

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Unread post by DMBFan63 » Sun Feb 20, 2005 11:24 pm

MWR wrote:If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.
I remember learning 11 and 13 chords in theory.. they're pretty easy.

I don't have any idea what chords go with what modes, but whatever chord fits into the mode would probably be right :lol:

We're into 4 part writing in theory now, and I hate it.
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Unread post by Pickles » Mon Feb 21, 2005 6:18 am

DMBFan63 wrote:
MWR wrote:If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.
I remember learning 11 and 13 chords in theory.. they're pretty easy.

I don't have any idea what chords go with what modes, but whatever chord fits into the mode would probably be right :lol:

We're into 4 part writing in theory now, and I hate it.
yeah, that stuff blows
Sort Of A Protest Song wrote:I don't know if this is shameful or not, but after waking up in a girls bed that was really high up off the ground (almost top-bunkbed type high) I told her that if I fell off I'd "come back to life as a white wizard". I was still a bit tipsy. She did not laugh.

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Unread post by gumbomadness » Mon Feb 21, 2005 10:27 am

crash_in_to_me wrote:im a visual learner, so...
fatjack wrote:

Code: Select all

C D E F G A B
  D E F G A B C
starts on teh second note, ends on the first
oh! ha. i feel stupid.
" I give up on this six string shit. "
-DM

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Unread post by MWR » Mon Feb 21, 2005 4:53 pm

fatjack wrote:
MWR wrote:If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.
actually, the 11th is traditionally the one that is dropped first. but the fifth is usually dropped as well considering that there are very few do-able formations for all six strings for any quality 13th chord
THat was more of a blanket statement in regards to all those extended voicings that can be a bitch to finger. I like add11ths but most of those extended dominant chords kinda sound poopy to me, on the guitar at least.

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Unread post by fatjack » Mon Feb 21, 2005 7:47 pm

MWR wrote:
fatjack wrote:
MWR wrote:If you know how to make 7ths and 9ths you know how to make 11ths and 13ths. Each succesive chord builds onto the one before it. So an 11th is a 9th with an 11th added.
True 13ths are a compromise on the guitar because they contain 7 notes and you can obviously only play a maximum of 6. Generally you would leave out the 5th.

Btw there's a sticky regarding modes. If you want me to explain this more in depth I'll do so in that thread.
actually, the 11th is traditionally the one that is dropped first. but the fifth is usually dropped as well considering that there are very few do-able formations for all six strings for any quality 13th chord
THat was more of a blanket statement in regards to all those extended voicings that can be a bitch to finger. I like add11ths but most of those extended dominant chords kinda sound poopy to me, on the guitar at least.
i know what you mean, sounds much better on a piano. and an 11th chord will most usually sound like shit unless its a minor

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Unread post by gumbomadness » Mon Feb 21, 2005 7:48 pm

a minor? or "A" minor?

haha. just kidding!
" I give up on this six string shit. "
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