i agree, and anyone is better and that pic you have now..deceptivehero wrote:praisedave your av changes make my head come near explosion.
what key is "when the world ends" in?
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Last edited by Swe dmbfan on Mon Jan 10, 2005 12:33 am, edited 1 time in total.
best on the board:
http://www.dmbtabs.com/boards/viewtopic ... &start=150
Speeny: You two are gods among men
http://www.dmbtabs.com/boards/viewtopic ... &start=150
Speeny: You two are gods among men
The verse and bridge are definately in Bm and D respectively.
The chorus is weird though. This is one example of where it makes more sense to think of things being flat not sharp. So C# is Db and G# is Ab etc. The progression is F, Dbmaj7(no third), Ab6(no third), Bbsus2. Everything is diatonic to Dbmajor/Bbminor except the F. The changes are so quick you probably don't have to worry, just be aware that the F is major not minor.
I think a Bb blues scale would work well.
The chorus is weird though. This is one example of where it makes more sense to think of things being flat not sharp. So C# is Db and G# is Ab etc. The progression is F, Dbmaj7(no third), Ab6(no third), Bbsus2. Everything is diatonic to Dbmajor/Bbminor except the F. The changes are so quick you probably don't have to worry, just be aware that the F is major not minor.
I think a Bb blues scale would work well.
i knwo they are the same, but i still haven't figured out how to tell the diffence between a major key and it's relative minor. any tips?Davy28 wrote:Close, to be more accurate the verse is in Bm and the chorus is in Fm. But you got your relative majors correct.Appsoldier wrote:Verse: D
Chorus: G#
Bridge: D
I think...
well atleast its confusing... ill use that blues scale i believe, thanks mikeMWR wrote:The verse and bridge are definately in Bm and D respectively.
The chorus is weird though. This is one example of where it makes more sense to think of things being flat not sharp. So C# is Db and G# is Ab etc. The progression is F, Dbmaj7(no third), Ab6(no third), Bbsus2. Everything is diatonic to Dbmajor/Bbminor except the F. The changes are so quick you probably don't have to worry, just be aware that the F is major not minor.
I think a Bb blues scale would work well.
*in nasaly annoying voice* ill change my av... sheesh
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I just mess around with that arpeggio that is played in the background.
Forget about the reasons and the treasons we are seeking
Forget about the notion that our emotions can be swept away, kept at bay
Forget about being guilty, we are innocent instead
For soon we will all find our lives swept away
-DJM
Forget about the notion that our emotions can be swept away, kept at bay
Forget about being guilty, we are innocent instead
For soon we will all find our lives swept away
-DJM
Appsoldier wrote:i knwo they are the same, but i still haven't figured out how to tell the diffence between a major key and it's relative minor. any tips?Davy28 wrote:Close, to be more accurate the verse is in Bm and the chorus is in Fm. But you got your relative majors correct.Appsoldier wrote:Verse: D
Chorus: G#
Bridge: D
I think...
yeah, from the CAGED system that would make sense with Bm being next followed by Amaj (not for the song but for example)dmbguitar718 wrote:I thought keys went by the CAGED system? If so, then wouldn't the key be D major, and not B minor? I know they're they same thing, but I mean you'd say D, right?
-James
time ed time ed- aim
time ed time ed- aim
Isn't the CAGED system just the scale patterns derived from each chord shape? How does it help detirmine keys?J Chord wrote:yeah, from the CAGED system that would make sense with Bm being next followed by Amaj (not for the song but for example)dmbguitar718 wrote:I thought keys went by the CAGED system? If so, then wouldn't the key be D major, and not B minor? I know they're they same thing, but I mean you'd say D, right?
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