Soloing
Soloing
Whats up everyone....I was wondering if any one could give me a little help on soloing. I know most of my scales looking more for technique and maybe some tricks. I guess anything that could help me play just a little better or make my soloing a little more interesting. Also if you know any good lesson sights for lead guitarest that would be awesome too thanks
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- Trading-Meister
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i think just jamming with other people who play a lot of lead will help you out quite a bit
B+P by offer only...thank you
<a href="http://s93760583.onlinehome.us/platanas.mp3" target="_blank" class="postlink">cause it's a fishpond</a>
<a href="http://s93760583.onlinehome.us/platanas.mp3" target="_blank" class="postlink">cause it's a fishpond</a>
Do you know your arpeggios?
When you practice the scales that you know do you play them strictly up and down or do you sequence them?
Can you play a harmonized major or minor scale? Do you know all of the intervals all over the neck? Do you know the notes on the neck? How good are your hammer ons, pull offs? Are you able to bend up a whole step with perfect intonation?
You got to give me a better idea of where your at.
When you practice the scales that you know do you play them strictly up and down or do you sequence them?
Can you play a harmonized major or minor scale? Do you know all of the intervals all over the neck? Do you know the notes on the neck? How good are your hammer ons, pull offs? Are you able to bend up a whole step with perfect intonation?
You got to give me a better idea of where your at.
Building chops takes practice, and some more practice
......but feel and how to accentuate (spelling?) your solos and fills etc comes with jamming with other or along with any good song at least thats my opinion
Mixing up styles helped me alot, using the basic pentatonic stuff at first and finding the "sweet spots" jam along with some basic blues song etc then adapting some other styles like some jazz, country etc...
after a while you get a natural feel for what notes to play and how to play them to get the sound and feel you want....

Mixing up styles helped me alot, using the basic pentatonic stuff at first and finding the "sweet spots" jam along with some basic blues song etc then adapting some other styles like some jazz, country etc...
after a while you get a natural feel for what notes to play and how to play them to get the sound and feel you want....
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- Trading-Meister
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was that for me?MWR wrote:If you can play along with other people great but thats not a very reliable option for everyone.Matty Boom wrote:i think just jamming with other people who play a lot of lead will help you out quite a bit
If you cant learn this BASIC stuff on your own then maybe rhythm is what you should be doing.
B+P by offer only...thank you
<a href="http://s93760583.onlinehome.us/platanas.mp3" target="_blank" class="postlink">cause it's a fishpond</a>
<a href="http://s93760583.onlinehome.us/platanas.mp3" target="_blank" class="postlink">cause it's a fishpond</a>
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- Trading-Meister
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sorry, i didn't pick up even with the wink...tired i guess
B+P by offer only...thank you
<a href="http://s93760583.onlinehome.us/platanas.mp3" target="_blank" class="postlink">cause it's a fishpond</a>
<a href="http://s93760583.onlinehome.us/platanas.mp3" target="_blank" class="postlink">cause it's a fishpond</a>
- myxomatosis
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I read that the guitarist from Queen constructed his solos by recording himself humming a solo over the song.. then going back and learning to play his hums on guitar....hmmmmmmmmMWR wrote:Oh I thought of a really good exercise.
Sing a melody, nothing too long or complex at first, and then try to play it. This is the ultimate exercise as it gets right down to the essence of the whole thing, playing what you hear in your head.
- lyrics101
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Wes Montgomery used to model his style after a saxophonist he admired (forget which). If you're looking to develop something interesting and original, you could try that; try to follow the sound of a different instrument and transfer it to your guitar.
Oh, and learn your scales and apreggios. Just don't be like Slash and do nothing but scale after scale in your solos. I admire the guy, but that's all it is. Be creative. It's what made Hendrix as big as he is.
Oh, and learn your scales and apreggios. Just don't be like Slash and do nothing but scale after scale in your solos. I admire the guy, but that's all it is. Be creative. It's what made Hendrix as big as he is.
Stay with me, safe and ignorant.
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...same with David Gilmour, I believe. You can really tell when someone writes good lead when you can hear a song then hum the solo to yourself afterward. I'd say singing then transfering that melody to guitar enough to where you could do it on command is a really good exercise.thepackage0 wrote:I read that the guitarist from Queen constructed his solos by recording himself humming a solo over the song.. then going back and learning to play his hums on guitar....hmmmmmmmmMWR wrote:Oh I thought of a really good exercise.
Sing a melody, nothing too long or complex at first, and then try to play it. This is the ultimate exercise as it gets right down to the essence of the whole thing, playing what you hear in your head.
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Other than the obvious practice, practice and yet more practice, the best tip I can give you form years of playing is that "less is more". Some of the best solos are simple to play but have so much feeling you could fill a bucket (or is that a pale!). Listen to players like BB King who plays a lot of 1 note solos, but with feeling. Gilmour has been mentioned and is also worth a listen.
Other "widdly widdly" speed kids just don't cut the mustard as far as I am concerned they jsut seem to play fast to hide the fact they have no soul.
PS I can't believe I'm posting on the the same thread as Ani DiFranco, how cool is that!
Other "widdly widdly" speed kids just don't cut the mustard as far as I am concerned they jsut seem to play fast to hide the fact they have no soul.
PS I can't believe I'm posting on the the same thread as Ani DiFranco, how cool is that!

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