keys???

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blaze
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keys???

Unread post by blaze » Sat Dec 27, 2003 9:27 pm

how do you know what key a song is in??
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Unread post by DustyDave » Sat Dec 27, 2003 9:33 pm

Well according to my research it really depends on alot , i've heard so many people who knows their stuff say that its based around the first chord you start on , the last chord you play , if there is 2 same chords in the song , and so on , there is alot of unverifyed facts about that , i just go by what sounds good in my ears , i don't need to know the keys , even though theory is interesting , it still can be rather confusing when you hear too many different opinions , not to mention the same chord can have so many different names and people name them differently
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Unread post by fatjack » Sun Dec 28, 2003 9:42 am

DustyDave wrote:Well according to my research it really depends on alot , i've heard so many people who knows their stuff say that its based around the first chord you start on , the last chord you play , if there is 2 same chords in the song , and so on , there is alot of unverifyed facts about that , i just go by what sounds good in my ears , i don't need to know the keys , even though theory is interesting , it still can be rather confusing when you hear too many different opinions , not to mention the same chord can have so many different names and people name them differently
you make it sound like a mystery Dusty...

it all depends on what chords are in the song, if you are lucky the chords will fit into one key, but more often than not it will be in different keys
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Unread post by DustyDave » Sun Dec 28, 2003 12:08 pm

Sorry FJ , didn't mean to make it sound like a mystery , more like an unsolved puzzle to what really is right and wrong with so many different opinions :)
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Unread post by fatjack » Sun Dec 28, 2003 12:17 pm

DustyDave wrote:Sorry FJ , didn't mean to make it sound like a mystery , more like an unsolved puzzle to what really is right and wrong with so many different opinions :)
it isn't really an unsolved puzzle either...

those "different opinions" of which you speak usually have to do with songs that have many keys or do not fit into a particular major scale. for the most part, discerning the key of a song is rather easy
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Unread post by DustyDave » Sun Dec 28, 2003 12:30 pm

Shed some lights over it then
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Unread post by fatjack » Sun Dec 28, 2003 2:06 pm

DustyDave wrote:Shed some lights over it then
WAY too much to try to explain in a single post, if anyone is interested, they can IM me, but its not just one thing that you need to know, you have to have basic knowledge of certain things
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Unread post by blaze » Mon Dec 29, 2003 5:25 am

ok starting to catch on thanks to dmbtabs and differant sorces like this.

http://www.drpsychotic.com/strike_a_cho ... chord.html

ok what does this mean? ((( don't get it )))

"The E Minor pure scale is actually the same scale as the G Major scale, the only difference is that the E minor pure scale is played in the ((( Aeolian mode ))). E minor is also the ((( relative minor key))) to the key of G Major."
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Unread post by ericwormann » Mon Dec 29, 2003 9:10 am

blaze wrote:ok starting to catch on thanks to dmbtabs and differant sorces like this.

http://www.drpsychotic.com/strike_a_cho ... chord.html

ok what does this mean? ((( don't get it )))

"The E Minor pure scale is actually the same scale as the G Major scale, the only difference is that the E minor pure scale is played in the ((( Aeolian mode ))). E minor is also the ((( relative minor key))) to the key of G Major."
Aeolian mode is too much to explain in one post, but i'll try to explain what the other stuff means:

The key of E minor is based on these notes:
E F# G A B C D

The key of G major is based on these notes:
G A B C D E F#

If you notice, they are the same notes, just in a different order. You use them differently, so the keys have a different "feel" to them, but they are based on the same notes so you refer to E minor as the Relative Minor Key of G major.

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Unread post by DreaminBassMunky » Tue Dec 30, 2003 5:47 pm

Each individual scale has 7 other modes to it. A mode is simply playing the same scale but starting with a different root note. For instance if I am in the key of C major, but I play starting on D and go from D(root) to D(ocatave) but in the key of C Major it would be known as D Dorian. THe Aeolian mode is also known as the relative minor. It starts on the 6th scale degree, and is a pure minor scale, containing the same notes as it's relative major scale. I love music theory, although it can get rather confusing look at it this way.

C Major:
C D E F G A B C

A minor (Aeloian):
A B C D E F G A

Same notes, but they start on different roots.

I find the easiet was to determine a key is to take all the chords you play in a given sequence and break them down into what notes you are playing. From there you can determine what key you are in by determining what notes you are playing, and how many sharps or flats there are. The overall key of a song is a lot harder to determine, because there can be key changes all over the place.
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Unread post by fatjack » Tue Dec 30, 2003 6:52 pm

DreaminBassMunky wrote:Each individual scale has 7 other modes to it. A mode is simply playing the same scale but starting with a different root note. For instance if I am in the key of C major, but I play starting on D and go from D(root) to D(ocatave) but in the key of C Major it would be known as D Dorian. THe Aeolian mode is also known as the relative minor. It starts on the 6th scale degree, and is a pure minor scale, containing the same notes as it's relative major scale. I love music theory, although it can get rather confusing look at it this way.

C Major:
C D E F G A B C

A minor (Aeloian):
A B C D E F G A

Same notes, but they start on different roots.

I find the easiet was to determine a key is to take all the chords you play in a given sequence and break them down into what notes you are playing. From there you can determine what key you are in by determining what notes you are playing, and how many sharps or flats there are. The overall key of a song is a lot harder to determine, because there can be key changes all over the place.
yay! someone who isn't too lazy to explain things!

unfortunately, Munky, someone will ask this same question somewhere down the line and you'll have to write it all over again. they'll also probaly ask for oboe tabs or something :wink:
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Unread post by everydayDMBfan_18 » Tue Dec 30, 2003 7:16 pm

Wait...you mean there aren't oboe tabs?
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Unread post by violenticecream88 » Thu Jan 01, 2004 7:27 pm

oboe tabs! hahahaha ROFL! thats like asking someone to tab out trumpet music.
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Unread post by DreaminBassMunky » Thu Jan 01, 2004 7:30 pm

fatjack wrote:
DreaminBassMunky wrote:Each individual scale has 7 other modes to it. A mode is simply playing the same scale but starting with a different root note. For instance if I am in the key of C major, but I play starting on D and go from D(root) to D(ocatave) but in the key of C Major it would be known as D Dorian. THe Aeolian mode is also known as the relative minor. It starts on the 6th scale degree, and is a pure minor scale, containing the same notes as it's relative major scale. I love music theory, although it can get rather confusing look at it this way.

C Major:
C D E F G A B C

A minor (Aeloian):
A B C D E F G A

Same notes, but they start on different roots.

I find the easiet was to determine a key is to take all the chords you play in a given sequence and break them down into what notes you are playing. From there you can determine what key you are in by determining what notes you are playing, and how many sharps or flats there are. The overall key of a song is a lot harder to determine, because there can be key changes all over the place.
yay! someone who isn't too lazy to explain things!

unfortunately, Munky, someone will ask this same question somewhere down the line and you'll have to write it all over again. they'll also probaly ask for oboe tabs or something :wink:
haha well I've got a close friend who plays oboe so I'll talk to her about that. And if worst comes to worst I'll find this post and copy and paste it to anyone who needs it :lol: . Theory is basically my life. It's pretty sad, but I guess kind of helpful.
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cry about it
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Unread post by DreaminBassMunky » Thu Jan 01, 2004 7:31 pm

violenticecream88 wrote:oboe tabs! hahahaha ROFL! thats like asking someone to tab out trumpet music.
don't laugh I've seen it before...
last.fm/user/TheKevinGreene/

lie about it
cry about it
we'll all be ok
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