What pickups Dave Uses at his Martin DM3MD and the Taylos?
What pickups Dave Uses at his Martin DM3MD and the Taylos?
All I know that uses the Gold Plus Natural 2 at the Martin HD-28V...
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Dude, just get a Jerry Jones Baritone and a pair of flannel pajamas.
I will never understand why someone would buy something just because someone famous has it. I thik Dave's tone sucks. If you disagree I say you haven't really explored your tonal options.
Im calling you out for wanting to buy a product which you know nothing about because Dave Matthews has it.
Find your own sound poser
I will never understand why someone would buy something just because someone famous has it. I thik Dave's tone sucks. If you disagree I say you haven't really explored your tonal options.
Im calling you out for wanting to buy a product which you know nothing about because Dave Matthews has it.
Find your own sound poser
Just to answer the question, the Fishman go north of $100, I think close to $150 in some places. I don't think the Fishman are really that bad, but they aren't anything amazing either.SRVDMB wrote:How much do those go for? I would be very interested in buying one down the road a ways.
The ES in the Taylor guitars has a lot of good reviews, and was actually voted Best Acoustic Pick-Up last year I think, I'm not too sure, but it's quite good. Don't be afraid to explore some of your options as far as pick-ups go, since that is vital to your plugged in sound.
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Kahn wrote:Dude, just get a Jerry Jones Baritone and a pair of flannel pajamas.
I will never understand why someone would buy something just because someone famous has it. I thik Dave's tone sucks. If you disagree I say you haven't really explored your tonal options.
Im calling you out for wanting to buy a product which you know nothing about because Dave Matthews has it.
Find your own sound poser

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ericwormann wrote:Kahn wrote:Dude, just get a Jerry Jones Baritone and a pair of flannel pajamas.
I will never understand why someone would buy something just because someone famous has it. I thik Dave's tone sucks. If you disagree I say you haven't really explored your tonal options.
Im calling you out for wanting to buy a product which you know nothing about because Dave Matthews has it.
Find your own sound poser

I will never understand why some people try WAY too hard to be Anti-Dave, yet spend most of there time on DMBTABS. It's tired.Kahn wrote:Dude, just get a Jerry Jones Baritone and a pair of flannel pajamas.
I will never understand why someone would buy something just because someone famous has it. I thik Dave's tone sucks. If you disagree I say you haven't really explored your tonal options.
Im calling you out for wanting to buy a product which you know nothing about because Dave Matthews has it.
Find your own sound poser
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There's absolutely nothing wrong with being interested in what Dave uses. He's a pro and has a lot of experience a lot of others don't have. He knows what sounds good or not and buying something he uses probably means it's not a piece of shit.Kahn wrote:I will never understand why someone would buy something just because someone famous has it. I thik Dave's tone sucks. If you disagree I say you haven't really explored your tonal options.
Im calling you out for wanting to buy a product which you know nothing about because Dave Matthews has it.
Find your own sound poser
Carter plays a Yamaha Recording Custom set... if I had the money I'd buy it. It sounds amazing, and just because he plays it doesn't mean it would make me a poser.
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dave probably has no clue (or very little) what goes into his amplification scheme. He has guitar tech's and sound engineers that do the technicals for him. On tour he doesn't even change strings. He plays the music, thats it.
For that matter, there is a lot more in the pipeline than just the pickup and the speakers. There are reverbboxes, modulators, mixers....the point is that the pick-up is only partially of what you're going to hear at a concert. In contrast, whatever you hear on studio albums was likely recorded through a mic, not a pick-up.
This means that if you had Dave's exact guitar and exact pickup, you will still not get that tone. Perhaps if you specify what tone you are looking for, and under what conditions you plan to use it, someone can point you towards what you need.
For that matter, there is a lot more in the pipeline than just the pickup and the speakers. There are reverbboxes, modulators, mixers....the point is that the pick-up is only partially of what you're going to hear at a concert. In contrast, whatever you hear on studio albums was likely recorded through a mic, not a pick-up.
This means that if you had Dave's exact guitar and exact pickup, you will still not get that tone. Perhaps if you specify what tone you are looking for, and under what conditions you plan to use it, someone can point you towards what you need.
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This is spot on. Without $1000+ each units, great quality amps and stacks, reverb, delay, compression. . . . . . you will never get to what you hear at a Dave Matthews Band show.pjdk28 wrote:dave probably has no clue (or very little) what goes into his amplification scheme. He has guitar tech's and sound engineers that do the technicals for him. On tour he doesn't even change strings. He plays the music, thats it.
For that matter, there is a lot more in the pipeline than just the pickup and the speakers. There are reverbboxes, modulators, mixers....the point is that the pick-up is only partially of what you're going to hear at a concert. In contrast, whatever you hear on studio albums was likely recorded through a mic, not a pick-up.
This means that if you had Dave's exact guitar and exact pickup, you will still not get that tone. Perhaps if you specify what tone you are looking for, and under what conditions you plan to use it, someone can point you towards what you need.
Additionally, I find it difficult to believe you'd actually want that sound, considering it's designed to cut through a thick band mix. On its own, it would sound shittayyyy.
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Agreed, even though the benoroya hall dvd is sweet and good quality, i hate his guitar sound in it. That taylor sounds very tinny and weak on its own. I am glad to see that he is using his martins again at acoustic shows, they sound so much better in that type of setting.SimsUK wrote:This is spot on. Without $1000+ each units, great quality amps and stacks, reverb, delay, compression. . . . . . you will never get to what you hear at a Dave Matthews Band show.pjdk28 wrote:dave probably has no clue (or very little) what goes into his amplification scheme. He has guitar tech's and sound engineers that do the technicals for him. On tour he doesn't even change strings. He plays the music, thats it.
For that matter, there is a lot more in the pipeline than just the pickup and the speakers. There are reverbboxes, modulators, mixers....the point is that the pick-up is only partially of what you're going to hear at a concert. In contrast, whatever you hear on studio albums was likely recorded through a mic, not a pick-up.
This means that if you had Dave's exact guitar and exact pickup, you will still not get that tone. Perhaps if you specify what tone you are looking for, and under what conditions you plan to use it, someone can point you towards what you need.
Additionally, I find it difficult to believe you'd actually want that sound, considering it's designed to cut through a thick band mix. On its own, it would sound shittayyyy.
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