dmb "back?"

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carter29
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Unread post by carter29 » Mon Oct 09, 2006 2:50 pm

Nitro1515 wrote:
carter29 wrote:
Nitro1515 wrote:DMB is definitely not back. Dave has to prove that he can write creative guitar riffs throughout an entire album, not just one or two songs. He also needs to prove that he can write great lyrics again on a full album, not just one good line from some particular live version of a song. But in order for Dave to be able to do all that, the band needs to give creative control back to him and that seems to be something they do not want to give up.
I dunno about this point, if the band had some more creative control then more interesting things would have happened on SU I'm sure. I think the problem is lack of control to the band and control being in the hands of producers
Too many people blame Batson for Stand Up. The band wanted more songwriting control and they got it. Dave did not come up with many of the songs on that album and it shows. The rest of the band, for as musically talented as they are, are not very good songwriters. This band is at its best when Dave comes up with the original idea and the rest of the band fills in around it.
True Batson gets a lot of blame, I mean the band should have never allowed such a release as SU to hit the shelves with their names on it. But he does deserve some blame. I mean, he is a hip-hop producer with credit going to the likes of Eminem, Gwen Stefani, Busta Rhymes, Beyonce', 50 Cent, and Seal....and Dave Matthews Band? Oddly enough the first album he produces features, for the first time in DMB history, DRUM LOOPS...a breakdown such as the one in YMDT. SU is without a doubt dmb's most shallow music, with no focus on instrumentation and I just feel it's no coincidence that the material released on SU sounds the way it does with him at the helm.

I feel it shows dmb may rely on producers, theres a very clear difference in the material on Lillywhite's CD's, Ballard's, to Harris' work, and now Batson's.
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Unread post by pacific34 » Mon Oct 09, 2006 3:13 pm

I had to chime in to give my 2 cents. i hear the word prove being thrown around. What does Dave have to prove on this next album? we are all fans because he has proved he can write creative and different music for the past 15 years. I agree 100% the last couple studio albums don't compare to the first few, but their live shows haven't lost anything. I think us hardcore fans are fans because of their live shows anyways, not some studio record. If it sucks, don't buy it, but don't tell me your not going to catch them when they come around next. they are still the best live band around, hands down. peace.

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Unread post by DJR » Mon Oct 09, 2006 3:34 pm

pacific34 wrote:I had to chime in to give my 2 cents. i hear the word prove being thrown around. What does Dave have to prove on this next album? we are all fans because he has proved he can write creative and different music for the past 15 years. I agree 100% the last couple studio albums don't compare to the first few, but their live shows haven't lost anything. I think us hardcore fans are fans because of their live shows anyways, not some studio record. If it sucks, don't buy it, but don't tell me your not going to catch them when they come around next. they are still the best live band around, hands down. peace.
i agree that dave and DMB don't need to prove anything - if some of you think they need to prove something to you individually, thats fine i guess, but personally i'm not looking at it like that - i'll always look forward to new music from this band, they don't owe me anything, nor do they have anything to prove to me - a band can't be as good as their best record all the time, no one could do that, so no i'm not expecting another BTCS, i'm just looking forward to it - and even if the studio versions of idea of you or shotgun or whatever song aren't as good as the live versions, so what? we still have great versions of these songs to hear - i can't wait for the next album no matter what

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Unread post by Grachi » Mon Oct 09, 2006 3:40 pm

ok... first of all talent doesnt disappear, so don't throw around "talent" with the same words as "effort" and "changes". Talent doesn't just disappear or run out with age or something like that, but other things do. Obviously, effort is a big part of the equation if you ask me. Look at Stand Up then look at BTCS, which one obviously took more work and more time to produce?

Now as for the second, changes, perhaps the commercial success has gotten into some of their heads and the band doesn't think they need to be running on full cylinders in terms of studio work and newer material. But, the fact that they are an excellent live band won't ever leave them, unless they decide to slack in that area too, but that is what they love and if playing live is what they love they will give it their all (which I think they do).

I just really wanted to throw that out there and stress that. Talent is something more then the lesser forces of this world. My grandfather has been playing piano for 50 or 40 years and he plays beautifully still to this day, in fact he is seriously one of the better pianists I've ever heard. Just because he is old doesn't mean his talent at playing the piano as slowly run out or something. Just something to keep in mind when you try to make sense of the musical quality of DMB or any other musician or band for that matter.

Every song and album you produce isn't going to be your best piece of work. You can't always write or create an awesome song or album, it just doesn't work that way. More and more bands just write one or two OK songs and then the rest is crap. You have to think DMB has had multiple albums and unreleased material that they play live that is better then most musicians create in their life time.

I just think some of these comments are unfair in threads like this, and I felt like I needed to say something.

I'm not saying you should love DMB no matter what like your under mind control or something, but don't go as far to say they aren't talented or good anymore just because the past few albums haven't been spectacular or even very good. There are other reasons for it and it doesnt have anything to do with talent.
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Unread post by a1075dd63aa12 » Mon Oct 09, 2006 5:01 pm

im more excited to see what happens when they are out from under SonyBMG/RCA. its obvious that relationship has been strained for some time, and possibly the band is just coming out with albums (think best of...) to get finished with the contract.

this is just a hope.

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Unread post by bense27 » Mon Oct 09, 2006 5:15 pm

They should bring back Harris or Lillywhite.
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Unread post by AlpineValley » Mon Oct 09, 2006 5:20 pm

bense27 wrote:They should bring back Harris or Lillywhite.
i vote lillywhite
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Unread post by littlefriend » Mon Oct 09, 2006 5:35 pm

Grachi wrote:ok... first of all talent doesnt disappear, so don't throw around "talent" with the same words as "effort" and "changes". Talent doesn't just disappear or run out with age or something like that, but other things do. Obviously, effort is a big part of the equation if you ask me. Look at Stand Up then look at BTCS, which one obviously took more work and more time to produce?

Now as for the second, changes, perhaps the commercial success has gotten into some of their heads and the band doesn't think they need to be running on full cylinders in terms of studio work and newer material. But, the fact that they are an excellent live band won't ever leave them, unless they decide to slack in that area too, but that is what they love and if playing live is what they love they will give it their all (which I think they do).

I just really wanted to throw that out there and stress that. Talent is something more then the lesser forces of this world. My grandfather has been playing piano for 50 or 40 years and he plays beautifully still to this day, in fact he is seriously one of the better pianists I've ever heard. Just because he is old doesn't mean his talent at playing the piano as slowly run out or something. Just something to keep in mind when you try to make sense of the musical quality of DMB or any other musician or band for that matter.

Every song and album you produce isn't going to be your best piece of work. You can't always write or create an awesome song or album, it just doesn't work that way. More and more bands just write one or two OK songs and then the rest is crap. You have to think DMB has had multiple albums and unreleased material that they play live that is better then most musicians create in their life time.

I just think some of these comments are unfair in threads like this, and I felt like I needed to say something.

I'm not saying you should love DMB no matter what like your under mind control or something, but don't go as far to say they aren't talented or good anymore just because the past few albums haven't been spectacular or even very good. There are other reasons for it and it doesnt have anything to do with talent.
I agree with most of what you said and definitely the spirit in which it was said. But I will also point out that the band set the bar as high as they did, not the fans. The band showed us the quality of the material that they are capable of making, but recently has failed to even put forth the effort to try to set new highs. That's my biggest issue. The apparent lack of effort in the studio.
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Unread post by pacific34 » Mon Oct 09, 2006 6:04 pm

Am i the only one who would rather listen to a live recording of a song over a studio recorded song? the new songs that debuted this year are way more interesting to me live, opposed to polished in a studio. This band has never been built on studio recorded albums. I don't think this is a band that you could ever question their effort. Dave is constantly touring, with or without the band, to push their music, as opposed to doing some lame release party or something to push a studio record. peace.

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Unread post by paulaitchison » Mon Oct 09, 2006 6:13 pm

AlpineValley wrote:
bense27 wrote:They should bring back Harris or Lillywhite.
i vote lillywhite
i vote harris, i would prefer lillywhite but that won't happen, therefore harris, cause at least it could happen.

its like, who would you rather sleep with tonight, Maralyn Monrow or your hot neigbhour,?

cause one of those actually could happen :wink: one of them just wont.
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Unread post by jmack » Mon Oct 09, 2006 6:40 pm

pacific34 wrote:Am i the only one who would rather listen to a live recording of a song over a studio recorded song?
is that a serious question? :)

i think that's what makes DMB fans, um, DMB fans.

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Unread post by pacific34 » Mon Oct 09, 2006 6:48 pm

jmack wrote:
pacific34 wrote:Am i the only one who would rather listen to a live recording of a song over a studio recorded song?
is that a serious question? :)

i think that's what makes DMB fans, um, DMB fans.
That's my point. that's why i don't understand why anyone would care so much about a studio recording. Their playing live is what makes them better than the rest. Plus they come out with new material every year, whether it makes it on a studio album is besides the point. I'm glad crazy-easy isn't on a recording, or any of those '04 songs. I'd rather have them from a taped show

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Unread post by shagmaster90 » Mon Oct 09, 2006 6:57 pm

jmack wrote:
pacific34 wrote:Am i the only one who would rather listen to a live recording of a song over a studio recorded song?
is that a serious question? :)

i think that's what makes DMB fans, um, DMB fans.
live is great and has more energy obv but i do like their studio recordings and even though their a live band i think their a good studio band as well. the songs are expressed better live, but in the studio since u can have as many takes,instruments, overdubs, double tracking basicly as u want, thats the artists version of what THEY think it should sound like (or should be). they dont owe me shit with great music for the past 15 years, but me being just as much a studio fan as live, i hope their studio takes are honest to what they want cuz thats what a majority of people hear.

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Unread post by Beauford33 » Mon Oct 09, 2006 10:44 pm

DMB never "left"...to me at least. I still love them.
-BK

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Unread post by Grachi » Tue Oct 10, 2006 12:13 am

littlefriend420 wrote:
Grachi wrote:ok... first of all talent doesnt disappear, so don't throw around "talent" with the same words as "effort" and "changes". Talent doesn't just disappear or run out with age or something like that, but other things do. Obviously, effort is a big part of the equation if you ask me. Look at Stand Up then look at BTCS, which one obviously took more work and more time to produce?

Now as for the second, changes, perhaps the commercial success has gotten into some of their heads and the band doesn't think they need to be running on full cylinders in terms of studio work and newer material. But, the fact that they are an excellent live band won't ever leave them, unless they decide to slack in that area too, but that is what they love and if playing live is what they love they will give it their all (which I think they do).

I just really wanted to throw that out there and stress that. Talent is something more then the lesser forces of this world. My grandfather has been playing piano for 50 or 40 years and he plays beautifully still to this day, in fact he is seriously one of the better pianists I've ever heard. Just because he is old doesn't mean his talent at playing the piano as slowly run out or something. Just something to keep in mind when you try to make sense of the musical quality of DMB or any other musician or band for that matter.

Every song and album you produce isn't going to be your best piece of work. You can't always write or create an awesome song or album, it just doesn't work that way. More and more bands just write one or two OK songs and then the rest is crap. You have to think DMB has had multiple albums and unreleased material that they play live that is better then most musicians create in their life time.

I just think some of these comments are unfair in threads like this, and I felt like I needed to say something.

I'm not saying you should love DMB no matter what like your under mind control or something, but don't go as far to say they aren't talented or good anymore just because the past few albums haven't been spectacular or even very good. There are other reasons for it and it doesnt have anything to do with talent.
I agree with most of what you said and definitely the spirit in which it was said. But I will also point out that the band set the bar as high as they did, not the fans. The band showed us the quality of the material that they are capable of making, but recently has failed to even put forth the effort to try to set new highs. That's my biggest issue. The apparent lack of effort in the studio.
Yea, and thats the problem. It's like they are dedicated to the live atmosphere which is great and they should never lose that, but they need to put that same... effort, or dedication, to the studio process as well. That's why I think a lot of the stuff dave writes on the road or outside the studio is pretty good stuff, because it hasn't been altered and dirtied by the hands of dmb's producers or the influences outside of the band themselves. Think of 2004 songs, only hello again made it out alive if I'm not mistaken, and it sounded weird on Stand Up and much different then when they played it in 2004. Hopefully the same thing wont happen with Idea of You, Shotgun (which I think are very good and unlike recent material), but you know recent history hasn't proven us wrong yet unfortunately.

There isn't much you can do... especially when the band doesn't mind not putting every little last bit of effort into their studio/new material. I think it is a nice breather for them after being together for 15 years or however long it's been now, but of course as fans we don't want that, we want what we know they are capable of.

They did set the bar, but its better that they set the bar that high then set it to some regular or low level, and I know your not saying thats bad that they set it that high because it isn't obviously... It just makes it more frustrating when we listen to BTCS, and then Stand Up and it makes us wonder whats going on.

I personally still like their newer stuff, including Stand Up songs. I dunno I guess I don't mind the easier, more simple stuff even if it isn't a testament to what they are capable of. Maybe it's because I know that they are still an amazing band and one of the most talented bands I've ever heard, or I'm just not really that anal about it. I don't know, but I guess whats important for me and for everyone else is this simple statement:

If you like 'em, listen
If you don't, don't

Really boils down to that I guess, but I can understand the frustration. For me as a fan, unless their music turns into something that I just don't like or is so radically different, and they don't preserve their live quality (which I don't think will happen), I will keep listening to them, following them, going to shows, and being a fan. If they don't, well I'm glad that the music they gave us is truely timeless and I'll have the pleasure of listening to those albums and countless live concerts I have on iTunes for a long, long time.

That's all I gotta say about that [in a forrest gump accent]
- Andrew

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