Praisedave singing (! CURBSIDE PROPHET, WONDERWALL, SLIDE !)
- fatjack
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okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.
dont be afraid to go up or down man, hit the notes. use some testiculat fortitude
the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
dont be afraid to go up or down man, hit the notes. use some testiculat fortitude
the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
thanks for the comments josh...fatjack wrote:okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.
dont be afraid to go up or down man, hit the notes. use some testiculat fortitude
the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
i did my best singing, im only trying to get better, i definetly dont claim to be good at it. ill work on extending my range
with the fills i was just tryin to add something to the boring progression, next time ill avoid/cut down on them.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
- fatjack
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well, this is a song that despite the common chord progression, it has a very interesting melody (in terms of its rhythm and the actual melodic context). maybe you should try fills on a song that has a REALLY simple melody: something that you can do a call and response onpraisedave wrote:thanks for the comments josh...fatjack wrote:okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.
dont be afraid to go up or down man, hit the notes. use some testiculat fortitude
the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
i did my best singing, im only trying to get better, i definetly dont claim to be good at it. ill work on extending my range
with the fills i was just tryin to add something to the boring progression, next time ill avoid/cut down on them.
call/response?fatjack wrote:well, this is a song that despite the common chord progression, it has a very interesting melody (in terms of its rhythm and the actual melodic context). maybe you should try fills on a song that has a REALLY simple melody: something that you can do a call and response onpraisedave wrote:thanks for the comments josh...fatjack wrote:okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.
dont be afraid to go up or down man, hit the notes. use some testiculat fortitude
the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
i did my best singing, im only trying to get better, i definetly dont claim to be good at it. ill work on extending my range
with the fills i was just tryin to add something to the boring progression, next time ill avoid/cut down on them.
my next one is going to be curbside prophet which is 4 chords played at basically the same intervals all the way through... thats about as simple as it gets...
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
- fatjack
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your fills shouldn't be based upon what the progression is, it should be based on the rhythm of the melody.praisedave wrote:my next one is going to be curbside prophet which is 4 chords played at basically the same intervals all the way through... thats about as simple as it gets...
if you were to do call and response with a vocalist and guitar this is what would happen: vocalist sings a short phrase (the call) and then the guitarist plays a phrase right after that that is the same length as the vocalist's phrase (the response) while the vocalist isn't singing
oh ok, i get the call response thing, story of a girl will be good for that.fatjack wrote:your fills shouldn't be based upon what the progression is, it should be based on the rhythm of the melody.praisedave wrote:my next one is going to be curbside prophet which is 4 chords played at basically the same intervals all the way through... thats about as simple as it gets...
if you were to do call and response with a vocalist and guitar this is what would happen: vocalist sings a short phrase (the call) and then the guitarist plays a phrase right after that that is the same length as the vocalist's phrase (the response) while the vocalist isn't singing
curbside prophet does have a simple rhythm, thats what i meant by the chords being at the same intervals.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
ok.fatjack wrote:still has nothing to do with placement of fills. its about the melody m-e-l-o-d-y. base your fills off of THATpraisedave wrote:curbside prophet does have a simple rhythm, thats what i meant by the chords being at the same intervals.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
update: will be posting curbside prophet tonight, i may give it its own thread though seeing as one person crited me on wonderwall
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com
http://www.andymangold.com
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