Praisedave singing (! CURBSIDE PROPHET, WONDERWALL, SLIDE !)

Post recordings you have made here and get feedback from the community. Songwriting topics would also reside here.

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fatjack
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Unread post by fatjack » Tue Mar 01, 2005 12:05 pm

okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.

dont be afraid to go up or down man, hit the notes. use some testiculat fortitude

the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all

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mangold
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Unread post by mangold » Tue Mar 01, 2005 12:10 pm

fatjack wrote:okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.

dont be afraid to go up or down man, hit the notes. use some testiculat fortitude

the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
thanks for the comments josh...

i did my best singing, im only trying to get better, i definetly dont claim to be good at it. ill work on extending my range

with the fills i was just tryin to add something to the boring progression, next time ill avoid/cut down on them.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com

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fatjack
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Unread post by fatjack » Tue Mar 01, 2005 12:12 pm

praisedave wrote:
fatjack wrote:okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.

dont be afraid to go up or down man, hit the notes. use some testiculat fortitude

the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
thanks for the comments josh...

i did my best singing, im only trying to get better, i definetly dont claim to be good at it. ill work on extending my range

with the fills i was just tryin to add something to the boring progression, next time ill avoid/cut down on them.
well, this is a song that despite the common chord progression, it has a very interesting melody (in terms of its rhythm and the actual melodic context). maybe you should try fills on a song that has a REALLY simple melody: something that you can do a call and response on

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mangold
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Unread post by mangold » Tue Mar 01, 2005 12:20 pm

fatjack wrote:
praisedave wrote:
fatjack wrote:okay, you actually had more of the melody this time, but the chorus and prechorus were pretty rough.

dont be afraid to go up or down man, hit the notes. use some testiculat fortitude

the leads were for the most part played well, but still placed a little inappropriately. the song just doesn't fit well with any fills at all
thanks for the comments josh...

i did my best singing, im only trying to get better, i definetly dont claim to be good at it. ill work on extending my range

with the fills i was just tryin to add something to the boring progression, next time ill avoid/cut down on them.
well, this is a song that despite the common chord progression, it has a very interesting melody (in terms of its rhythm and the actual melodic context). maybe you should try fills on a song that has a REALLY simple melody: something that you can do a call and response on
call/response?

my next one is going to be curbside prophet which is 4 chords played at basically the same intervals all the way through... thats about as simple as it gets...
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com

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fatjack
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Unread post by fatjack » Tue Mar 01, 2005 12:23 pm

praisedave wrote:my next one is going to be curbside prophet which is 4 chords played at basically the same intervals all the way through... thats about as simple as it gets...
your fills shouldn't be based upon what the progression is, it should be based on the rhythm of the melody.

if you were to do call and response with a vocalist and guitar this is what would happen: vocalist sings a short phrase (the call) and then the guitarist plays a phrase right after that that is the same length as the vocalist's phrase (the response) while the vocalist isn't singing

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mangold
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Unread post by mangold » Tue Mar 01, 2005 12:26 pm

fatjack wrote:
praisedave wrote:my next one is going to be curbside prophet which is 4 chords played at basically the same intervals all the way through... thats about as simple as it gets...
your fills shouldn't be based upon what the progression is, it should be based on the rhythm of the melody.

if you were to do call and response with a vocalist and guitar this is what would happen: vocalist sings a short phrase (the call) and then the guitarist plays a phrase right after that that is the same length as the vocalist's phrase (the response) while the vocalist isn't singing
oh ok, i get the call response thing, story of a girl will be good for that.

curbside prophet does have a simple rhythm, thats what i meant by the chords being at the same intervals.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com

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fatjack
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Unread post by fatjack » Tue Mar 01, 2005 12:32 pm

praisedave wrote:curbside prophet does have a simple rhythm, thats what i meant by the chords being at the same intervals.
still has nothing to do with placement of fills. its about the melody m-e-l-o-d-y. base your fills off of THAT

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Unread post by mangold » Tue Mar 01, 2005 12:50 pm

fatjack wrote:
praisedave wrote:curbside prophet does have a simple rhythm, thats what i meant by the chords being at the same intervals.
still has nothing to do with placement of fills. its about the melody m-e-l-o-d-y. base your fills off of THAT
ok.
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com

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mangold
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Unread post by mangold » Wed Mar 02, 2005 5:24 pm

update: will be posting curbside prophet tonight, i may give it its own thread though seeing as one person crited me on wonderwall
~Andy (The artist formerly known as praisedave)
http://www.andymangold.com

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