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by ticohans » Thu Mar 27, 2003 7:05 pm
It's more than just not being afraid to yell, cause you can yell from your throat. A few things:
1st When you breathe, you don't want your chest to go up and down. You want your stomach to go in and out. If you breathe properly, that's what will happen.
2nd Also when you breathe, you want your "soft pallet" to rise. This one's getting a little technical, and you don't HAVE to do this, but it does help fill out the voice and adds some punch to it. The soft pallet is part of the roof of your mouth, way way way in the back. To find it, stick your finger right in the front of your mouth and press against the roof of your mouth. It's really hard right there. Now, keep your finger pressed against the roof of your mouth and move it further and further back until you hit softer tissue. There's your soft pallet. If you don't sing right, when singing, your soft pallet will be depressed. You want it raised.
3rd You want to stay as loose as possible. Try not to carry tension anywhere. I personally carry tension in my neck normally, and when I sing, I tense up my tongue a lot. None of that is good. When I'm in my voice lessons or practicing, many times I massage my tongue while singing so as to keep it loose. I don't stick my fingers in my mouth for that one, but massage under my jaw, which is right where the tongue rests.
4th Ok, so, we've breathed in properly, our soft pallets are raised, and we're nice and loose, and we haven't even begun to make any sound yet. To feel what it's like when you "support" or generate airflow with your diaphragm and gut, exhale in short, stacatto "ha's," except don't actually say "ha," just get the air moving. If you do this correctly, you'll notice that your lower abdomen goes out each time you exhale. That's a good thing. That's what you want to happen when you sing, as opposed to tensing the throat up. See, the bad thing about tensing the throat, neck, tongue, jaw, or anything like that is that it restricts the airflow and makes it more difficult to sing and more often than not makes one sound thin. You want free airflow and good resonance.
We've not even begun to sing yet, and already there's a lot going on. Singing properly is VERY difficult, not because the actual mechanisms are difficult, but it's because we have years and years and years and years of bad habits built up. It takes a lot of concentration to break all those habits.
Once you have the handle of all this wierd breathing stuff, go ahead and try singing just a simple scale. After you get comfortable with that, go ahead and try a very simple song, one that's easy to sing normally.
A few final notes. What all this proper technique is getting at is trying to remain loose and creating lots of space. If you're tense, you cut down airflow and hurt the sound. If you don't have a lot of space, the notes won't be able to resonate much, and you'll sound thin and dull. Finally, really be wary of the throat and tongue. Those are the two areas that most people seem to struggle with. Watch yourself in the mirror when you sing so that you can be sure about not tensing the throat, and go ahead and massage your tongue under your jaw as you sing. It should be soft and loose under there. Finally, don't worry about what it sounds like initially. Most likely it will sound like crap. But that's because you're working through a totally new technique of singing and fighting years of bad habits. If nothing else, at least learn the proper breathing technique and how to support that properly. While many pop/rock singers don't use completely correct vocal technique, almost all of them sing from the gut and support with their diaphragm. This is essential if you want to get any amount of volume or depth and is key in protecting those vocal chords. You only get one set, so don't mess them up.
Once you get the hang of all this (and that should take quite a while) go ahead and try bringing a little more of the throat back into it and see what happens. When I sing the songs that I write, I don't sing like I'm in choir, and that's ok. But I definitely use certain techniques from "choir" singing, and it really helps me to know the theory.
All that being said, I've only had voice lessons for 8 or 9 months, so there's still a whole lot to learn.