Keeping a feeling in a song???
Keeping a feeling in a song???
I find when a make a chord progression for a verse. I find it really hard to get the same feeling with trying to make a chores using differant chords.
any comments??
any comments??
what like its not smooth transition or something. i don't understand your question.
three ideas
1. sometimes it is good to have a different feeling for chorus and verse.
2. sometimes it is better to have no chorus at all. i have a few songs that are more like compositions than verse chorus bridge songs.
3 learn theory. it makes it so much easier to transition and understand how "five of fives" can move you or cadences or whatever.
three ideas
1. sometimes it is good to have a different feeling for chorus and verse.
2. sometimes it is better to have no chorus at all. i have a few songs that are more like compositions than verse chorus bridge songs.
3 learn theory. it makes it so much easier to transition and understand how "five of fives" can move you or cadences or whatever.
ok I read this guitar book that had some thery in it like scales and stuff and some shit on the net about the same thing. But I dont understand when to use what scale. The only thing I really picked up was the pentatonic at the top of the neck, like playing little blues tunes on it. After I started trying to learn a bit of thery I started getting kinda depressed about playing for some reason. I always hear you guys trashing John how hes all technical and no feel. Thats not what I wanna become! Will I if I learn theory?? Most of the shit I come up with ( cause I kinda like just improvising rather then learning lots of songs) is trail and error or rules Iv kinda invented on my own. I have also picked up sounds of stuff iv learn and kinda just know where that sound is. guesse you can call it playing by ear??? I duno.
anyways
1. This means nothing to my other then the fact i know major and minor chords can you explain. like give me an example. that would be awsome.
????"Changing keys can be effective. The simplest way would be to change to a relative minor/major." ???
2. whats the coralation betwwen "G and Em", "D and Bm", "F and Dm" . don't get it
????"Like go from G to Em, D to Bm, F to Dm and so on."????
anyways
1. This means nothing to my other then the fact i know major and minor chords can you explain. like give me an example. that would be awsome.
????"Changing keys can be effective. The simplest way would be to change to a relative minor/major." ???
2. whats the coralation betwwen "G and Em", "D and Bm", "F and Dm" . don't get it
????"Like go from G to Em, D to Bm, F to Dm and so on."????
- Jay
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if you have feeling to begin with, learning theory isn't going to change that.
the problem i think a lot of people have with john mayer is that he uses theory to build a song like he is making a cake. he knows what sounds good where, what is the proper amount of such and such... if you learn theory right, it'll be like buying more colors of paint for your pictures. no harm there.
the problem i think a lot of people have with john mayer is that he uses theory to build a song like he is making a cake. he knows what sounds good where, what is the proper amount of such and such... if you learn theory right, it'll be like buying more colors of paint for your pictures. no harm there.
"Forget about what you are escaping from," he said, quoting an old maxim of Kornblum's. "Reserve your anxiety for what you are escaping to."
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- Davy28
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Em scale has all the same notes as G major, but starting on E. The same is true for the other minor scales I mentioned. Dave uses relative minors and majors in several songs. The verse of #41 is in Em, but the chorus is in G. The Verse of Two Step is in Dm, but the Chorus is in F. The same is true for the Stone. Dave utilizes Drop-D tuning, normally used for playing in D, for playing in Bm on crush. Spoon is played in Em.blaze wrote:ok I read this guitar book that had some thery in it like scales and stuff and some shit on the net about the same thing. But I dont understand when to use what scale. The only thing I really picked up was the pentatonic at the top of the neck, like playing little blues tunes on it. After I started trying to learn a bit of thery I started getting kinda depressed about playing for some reason. I always hear you guys trashing John how hes all technical and no feel. Thats not what I wanna become! Will I if I learn theory?? Most of the shit I come up with ( cause I kinda like just improvising rather then learning lots of songs) is trail and error or rules Iv kinda invented on my own. I have also picked up sounds of stuff iv learn and kinda just know where that sound is. guesse you can call it playing by ear??? I duno.
anyways
1. This means nothing to my other then the fact i know major and minor chords can you explain. like give me an example. that would be awsome.
????"Changing keys can be effective. The simplest way would be to change to a relative minor/major." ???
2. whats the coralation betwwen "G and Em", "D and Bm", "F and Dm" . don't get it
????"Like go from G to Em, D to Bm, F to Dm and so on."????
Forget about the reasons and the treasons we are seeking
Forget about the notion that our emotions can be swept away, kept at bay
Forget about being guilty, we are innocent instead
For soon we will all find our lives swept away
-DJM
Forget about the notion that our emotions can be swept away, kept at bay
Forget about being guilty, we are innocent instead
For soon we will all find our lives swept away
-DJM
- sunglassesatnight
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I always thought that the theory dorks out there were playing theory way up--that is until I learned some. It is such an eye opener to understand why a song works and why another doesn't and moreso than that, how to make it work. I can't express how valuable I feel it is to all instruments, guitar, piano, whatever. You just start getting things. I really suggest it.
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