Ask Fatjack

This is the place to talk about guitar playing not done by Dave! Topics about techniques, styles, theory, and other guitarists go here.

Moderators: onid41, jkanter

Post Reply
MWR
DMBTabs.com Authority
Posts: 2085
Joined: Sat Apr 19, 2003 3:28 pm
Location: Anytown, USA

Unread post by MWR » Fri Apr 02, 2004 10:05 pm

fatjack wrote:
MWR wrote:You mind explaining "targeting" or linking to good site about it? I'm not asking for anything to in depth just the basic concept.
i figured you would already know about this...

anyway, targeting has to do with playing specific tones at specific times. the most common target note is the tonic, because most every other tone resolves to it.

the concept of target notes has to do with the solos relationship to the progression, melody, and other harmonies. for instance, if you are solo in a progression and a G7 comes up, a good not to target would be F because its G's b7. the concept of playing arpeggios is the exact same as target notes.

target notes usually deal with what note you end a phrase on, basically you are "targeting" a certain note to end on
Thanks
I've heard of the concept before but It was never really clarified

User avatar
fatjack
DMBTabs.com Authority
Posts: 10165
Joined: Tue Jun 03, 2003 9:09 am
Location: U of A
Contact:

Unread post by fatjack » Sat Apr 03, 2004 2:30 am

Jc wrote:So just how overweight are you, and have you considered the atkins diet?
im not overweight at all, underweight actually. and the atkins diet is a bunch of bullshit

i hope you aren't trying to be mean because i said you sound like john mayer
I'm Josh: sometimes known as Steve

Jc
DMBTabs.com Regular
Posts: 217
Joined: Sat Feb 21, 2004 3:27 am

Unread post by Jc » Sat Apr 03, 2004 6:47 am

Nah, I don't hold grudges. Especially when somebody manages to be as tacftul as you fatty ;)

User avatar
Duffman
DMBTabs.com Authority
Posts: 1345
Joined: Sun Oct 05, 2003 5:54 pm
Location: Northeastern, Boston
Contact:

Unread post by Duffman » Sun Apr 04, 2004 6:47 pm

i have a question. i go to looknohands.com and look at the scales, and there are three minor scales. harmonic, melodic (ascending), and melodic (decending). what is the difference between these? and how do they relate to major scales, because to build a minor chord from a major, you lower the 3rd a half and the 7th a whole.
Duffman says a lot of things. -Mike

MWR
DMBTabs.com Authority
Posts: 2085
Joined: Sat Apr 19, 2003 3:28 pm
Location: Anytown, USA

Unread post by MWR » Sun Apr 04, 2004 6:57 pm

Nevermind. This is his thread so I'll let him field the questions.
I think a more pertinant question would be: where and how do I USE these scales?
Last edited by MWR on Sun Apr 04, 2004 7:02 pm, edited 1 time in total.

User avatar
fatjack
DMBTabs.com Authority
Posts: 10165
Joined: Tue Jun 03, 2003 9:09 am
Location: U of A
Contact:

Unread post by fatjack » Sun Apr 04, 2004 7:01 pm

Duffman wrote:i have a question. i go to looknohands.com and look at the scales, and there are three minor scales. harmonic, melodic (ascending), and melodic (decending). what is the difference between these? and how do they relate to major scales, because to build a minor chord from a major, you lower the 3rd a half and the 7th a whole.
wonderful question: one the i will enjoy answering.

first of all, the melodic minor is the just one scale, but you have to play it differently when you ascend and descend. when you ascend you play the 1,2,b3,4,5,6,7. when you descend you play the natural minor (1,2,b3,4,5,b6,b7). this is strictly in a classical sense, most guitarists wont change whether they are going up and down because it just gets too complicated and makes the scale very difficult to use.

and how do they relate to the major scale you ask? simple, they dont (except for of course what degrees are used). the melodic and harmonic minors don't translate to major scales. basically, they are a whole different set of keys. although you wont see "the key of B harmonic minor," they have completely different key sigs from any major scale. think of it this way, there are 12 different major scales, 12 different harmonic minor scales, and 12 different melodic minor scales. because they don't relate to any other major scale, they are harmonized completely different and thusly have different chords. in fact, the harmonic minor scale has a degree that can be either a major or minor chord

and if you were looking for how to build the scales, i already gave you the melodic, and the harmonic would be the 1,2,b3,4,5,b6,7
I'm Josh: sometimes known as Steve

User avatar
fatjack
DMBTabs.com Authority
Posts: 10165
Joined: Tue Jun 03, 2003 9:09 am
Location: U of A
Contact:

Unread post by fatjack » Sun Apr 04, 2004 7:04 pm

MWR wrote:Nevermind. This is his thread so I'll let him field the questions.
I think a more pertinant question would be: where and how do I USE these scales?
grrrr, this is ASK FATJACK, not ASK MWR!!!

just messin :P
I'm Josh: sometimes known as Steve

MWR
DMBTabs.com Authority
Posts: 2085
Joined: Sat Apr 19, 2003 3:28 pm
Location: Anytown, USA

Unread post by MWR » Sun Apr 04, 2004 7:04 pm

Hey yo! I realized that and edited it accordingly. Your answer was better than mine anyway.

User avatar
whatshername
Scissor Master
Posts: 10833
Joined: Sun Dec 21, 2003 9:37 pm
Random movie quote to make you seem hip and "with it": I still hate you, but you have a pretty good collection of nudie magazines.
Location: Boston, MA
Contact:

Unread post by whatshername » Sun Apr 04, 2004 7:55 pm

so, uh..why are you so sexy..eh, josh? :rawr:
-whit

my music: http://www.facebook.com/whitneyborisenok

more of my music: http://www.youtube.com/fourtyoneantz
chosta wrote:penis's are the the devil amirite

User avatar
Beauford33
DMBTabs.com Authority
Posts: 19055
Joined: Sun Jun 29, 2003 11:08 pm
Random movie quote to make you seem hip and "with it": A little bit of column A and a little bit of column B...
Location: Denver

Unread post by Beauford33 » Sun Apr 04, 2004 8:56 pm

Books can only get you so far. Look at John Mayer. Theory up the wazoo. Dave, not too much theroy but a good ear. Oh god please dont turn this into a John/Dave thread. Sorry.
-BK

User avatar
fatjack
DMBTabs.com Authority
Posts: 10165
Joined: Tue Jun 03, 2003 9:09 am
Location: U of A
Contact:

Unread post by fatjack » Sun Apr 04, 2004 10:45 pm

fortyoneantz wrote:so, uh..why are you so sexy..eh, josh? :rawr:
i dunno...

have you turned into sarah with that "rawr"
I'm Josh: sometimes known as Steve

User avatar
fatjack
DMBTabs.com Authority
Posts: 10165
Joined: Tue Jun 03, 2003 9:09 am
Location: U of A
Contact:

Unread post by fatjack » Sun Apr 04, 2004 10:46 pm

MWR wrote:Nevermind. This is his thread so I'll let him field the questions.
I think a more pertinant question would be: where and how do I USE these scales?
not a lot of use for them, you can throw them in there in a few phrases in a lot of songs, but for the most part, you couldn't stay in those scales. if you want to use them extensively, you'd have to find (or write) a song based upon the scale
I'm Josh: sometimes known as Steve

User avatar
Beauford33
DMBTabs.com Authority
Posts: 19055
Joined: Sun Jun 29, 2003 11:08 pm
Random movie quote to make you seem hip and "with it": A little bit of column A and a little bit of column B...
Location: Denver

Unread post by Beauford33 » Sun Apr 04, 2004 11:08 pm

How did you end up looking like the way you do? Thats a toughy
-BK

User avatar
Duffman
DMBTabs.com Authority
Posts: 1345
Joined: Sun Oct 05, 2003 5:54 pm
Location: Northeastern, Boston
Contact:

Unread post by Duffman » Mon Apr 05, 2004 7:08 am

fatjack wrote:
Duffman wrote:i have a question. i go to looknohands.com and look at the scales, and there are three minor scales. harmonic, melodic (ascending), and melodic (decending). what is the difference between these? and how do they relate to major scales, because to build a minor chord from a major, you lower the 3rd a half and the 7th a whole.
wonderful question: one the i will enjoy answering.

first of all, the melodic minor is the just one scale, but you have to play it differently when you ascend and descend. when you ascend you play the 1,2,b3,4,5,6,7. when you descend you play the natural minor (1,2,b3,4,5,b6,b7). this is strictly in a classical sense, most guitarists wont change whether they are going up and down because it just gets too complicated and makes the scale very difficult to use.

and how do they relate to the major scale you ask? simple, they dont (except for of course what degrees are used). the melodic and harmonic minors don't translate to major scales. basically, they are a whole different set of keys. although you wont see "the key of B harmonic minor," they have completely different key sigs from any major scale. think of it this way, there are 12 different major scales, 12 different harmonic minor scales, and 12 different melodic minor scales. because they don't relate to any other major scale, they are harmonized completely different and thusly have different chords. in fact, the harmonic minor scale has a degree that can be either a major or minor chord

and if you were looking for how to build the scales, i already gave you the melodic, and the harmonic would be the 1,2,b3,4,5,b6,7
do these scales relate to minor chords? can you have a harmonic and melodic minor chords?
Duffman says a lot of things. -Mike

User avatar
fatjack
DMBTabs.com Authority
Posts: 10165
Joined: Tue Jun 03, 2003 9:09 am
Location: U of A
Contact:

Unread post by fatjack » Mon Apr 05, 2004 4:35 pm

Beauford33 wrote:How did you end up looking like the way you do? Thats a toughy
um... i was born?
I'm Josh: sometimes known as Steve

Post Reply

Return to “General Guitar Discussion”

Who is online

Users browsing this forum: No registered users and 104 guests