I'm losing it (minor chords)

This is the place to talk about guitar playing not done by Dave! Topics about techniques, styles, theory, and other guitarists go here.

Moderators: onid41, jkanter

User avatar
taparoo
DMBTabs.com Authority
Posts: 8203
Joined: Sun Aug 06, 2006 1:22 am
Random movie quote to make you seem hip and "with it": There are five different types of chairs in this hotel room.

Unread post by taparoo » Tue Feb 06, 2007 8:21 pm

fedelm wrote:I thought of nothing normally...

Question: when in the LIOG jam dave and the band changes from the D starting jam....to the Em Starting jam. What does he change there??? Why is it easier to solo for a longer time in such a way?

I can't figure it out.

Fede
That whole section is from the D major scale, all of those 'chords' (not really chords, but more like the root & third, remember chords are made up of three or more notes). Those chords follow the D major scale to a T. It's easy to solo over because of the fact that you can just focus on notes from the D major scale in your solo, and not worry about having to change scales.

fede
DMBTabs.com Authority
Posts: 2769
Joined: Wed Nov 30, 2005 3:25 pm
Political views: Socialist
Random movie quote to make you seem hip and "with it": King Kong ain't got shit on me!
Location: home

Unread post by fede » Tue Feb 06, 2007 8:43 pm

Yeah i know those aren't proper chords, but the thing is, when it passes to the long jam alternate progression that goes:

Em - Bm - A - D - G

When the jam starts to get fast and intense, why is it possible to solo longer than usual 3 or 4 chord formations... like

A D E for example.

Fede
DMB shows been too:
Jul. 12-2008 (West Palm Beach)
Oct. 3-2008 (Buenos Aires!)
Oct. 14-2010 (Buenos Aires!)

User avatar
taparoo
DMBTabs.com Authority
Posts: 8203
Joined: Sun Aug 06, 2006 1:22 am
Random movie quote to make you seem hip and "with it": There are five different types of chairs in this hotel room.

Unread post by taparoo » Tue Feb 06, 2007 8:45 pm

fedelm wrote:Yeah i know those aren't proper chords, but the thing is, when it passes to the long jam alternate progression that goes:

Em - Bm - A - D - G

When the jam starts to get fast and intense, why is it possible to solo longer than usual 3 or 4 chord formations... like

A D E for example.

Fede
Because the progression is longer...? I'm not sure i understand your question

fede
DMBTabs.com Authority
Posts: 2769
Joined: Wed Nov 30, 2005 3:25 pm
Political views: Socialist
Random movie quote to make you seem hip and "with it": King Kong ain't got shit on me!
Location: home

Unread post by fede » Tue Feb 06, 2007 8:47 pm

Yeah nor do I...I can't explain myself properly in this language with something like that.

Just like I can't understand things as much although I know the words forming the phrases.

Fede
DMB shows been too:
Jul. 12-2008 (West Palm Beach)
Oct. 3-2008 (Buenos Aires!)
Oct. 14-2010 (Buenos Aires!)

Guitarlover22
Posts: 19
Joined: Sun Jan 07, 2007 8:09 pm
Contact:

Fede...

Unread post by Guitarlover22 » Wed Feb 07, 2007 8:18 am

The guitar progression you listed above (em, bm, etc.) is all in the key of D, which is why soloing will work. It has to do with accidentals (Sharps and flats), and what notes get them. In the key of D, the notes are:
D, E, F#, G, A, B, C#, D

The chord progression you listed uses the same notes, and even though an F# isn't in the chord of em (e, g, b), it's in the key, and can easily be used to pass from one tone to another (e - f# - g, etc.).

If, out of nowhere, a song went from the key of D (see above) to the key of B flat, and you were soloing in D, it wouldn't fit. Here are the notes for a Bflat scale:
B flat, C, D, E flat, F, G, A, B flat.

An F#, or C# has no use in that scale (Unless you start talking about modes).

It all has to do with staying in the key, and using the scale appropriately, which is why, as long as you don't shift key's, you can solo indefinetily (at least until your arm falls off).

Hope this helps.

Jimmy

fede
DMBTabs.com Authority
Posts: 2769
Joined: Wed Nov 30, 2005 3:25 pm
Political views: Socialist
Random movie quote to make you seem hip and "with it": King Kong ain't got shit on me!
Location: home

Unread post by fede » Wed Feb 07, 2007 11:05 am

I think i see it know, he stays in the key of D, that I had figured, he just changes the progression to make it sound higher, and / so the solo can use the scale of Em.

Anyway, it's a great soloing base.

Fede
DMB shows been too:
Jul. 12-2008 (West Palm Beach)
Oct. 3-2008 (Buenos Aires!)
Oct. 14-2010 (Buenos Aires!)

User avatar
Nuladion
DMBTabs.com Authority
Posts: 1577
Joined: Sun Jul 03, 2005 2:43 pm
Location: Des Moines IA

Unread post by Nuladion » Thu Feb 08, 2007 6:01 pm

I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.

User avatar
taparoo
DMBTabs.com Authority
Posts: 8203
Joined: Sun Aug 06, 2006 1:22 am
Random movie quote to make you seem hip and "with it": There are five different types of chairs in this hotel room.

Unread post by taparoo » Thu Feb 08, 2007 6:35 pm

Nuladion wrote:I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.
Well, assuming E, B, C#m is the chord progression, I'd say you'd be in the key of E major because you are starting on the E, B is the fifth degree of the E major scale (the fifth is a common chord in progressions), and the C#m 'fits' into the chord formula for an E major scale (I ii iii IV V vi viidim).

Sciaracastro
DMBTabs.com Authority
Posts: 2257
Joined: Wed Oct 15, 2003 3:53 pm
Location: Naples, Italy

Unread post by Sciaracastro » Thu Feb 08, 2007 7:05 pm

taparoo wrote:
Nuladion wrote:I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.
Well, assuming E, B, C#m is the chord progression, I'd say you'd be in the key of E major because you are starting on the E, B is the fifth degree of the E major scale (the fifth is a common chord in progressions), and the C#m 'fits' into the chord formula for an E major scale (I ii iii IV V vi viidim).
since i'm not a "solo" man at all, w/ that progression which other keys can u use to solo?

User avatar
taparoo
DMBTabs.com Authority
Posts: 8203
Joined: Sun Aug 06, 2006 1:22 am
Random movie quote to make you seem hip and "with it": There are five different types of chairs in this hotel room.

Unread post by taparoo » Thu Feb 08, 2007 7:11 pm

Sciaracastro wrote:
taparoo wrote:
Nuladion wrote:I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.
Well, assuming E, B, C#m is the chord progression, I'd say you'd be in the key of E major because you are starting on the E, B is the fifth degree of the E major scale (the fifth is a common chord in progressions), and the C#m 'fits' into the chord formula for an E major scale (I ii iii IV V vi viidim).
since i'm not a "solo" man at all, w/ that progression which other keys can u use to solo?
I'd say E major would sound the best. But you could try using the E major scale for the E chord, the B major scale for the B chord, and the C#m scale for the C#m chord. You could also mess around with the A major scale over the chords, since those chords (E B C#m) 'work' in that scale. Try experimenting with different notes, find out what works and what doesn't.

Sciaracastro
DMBTabs.com Authority
Posts: 2257
Joined: Wed Oct 15, 2003 3:53 pm
Location: Naples, Italy

Unread post by Sciaracastro » Thu Feb 08, 2007 7:16 pm

taparoo wrote:
Sciaracastro wrote:
taparoo wrote:
Nuladion wrote:I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.
Well, assuming E, B, C#m is the chord progression, I'd say you'd be in the key of E major because you are starting on the E, B is the fifth degree of the E major scale (the fifth is a common chord in progressions), and the C#m 'fits' into the chord formula for an E major scale (I ii iii IV V vi viidim).
since i'm not a "solo" man at all, w/ that progression which other keys can u use to solo?
I'd say E major would sound the best. But you could try using the E major scale for the E chord, the B major scale for the B chord, and the C#m scale for the C#m chord. You could also mess around with the A major scale over the chords, since those chords (E B C#m) 'work' in that scale. Try experimenting with different notes, find out what works and what doesn't.
how does a B chord work in A major scale??
i mean the B NOTE works in it, but so does in D and G scales, doesnt it?

fede
DMBTabs.com Authority
Posts: 2769
Joined: Wed Nov 30, 2005 3:25 pm
Political views: Socialist
Random movie quote to make you seem hip and "with it": King Kong ain't got shit on me!
Location: home

Unread post by fede » Thu Feb 08, 2007 7:36 pm

The E major scale is the same as the C#m scale. So you could use either pentatonics (which ussually work nicely since they have many of the most important notes of the chord).

If the progression goes:

E B C#m

You can always rest in the E major / C#m scale. And try in some of the B major / G# minor scale when the B is played.

Hope it helps.

Fede
DMB shows been too:
Jul. 12-2008 (West Palm Beach)
Oct. 3-2008 (Buenos Aires!)
Oct. 14-2010 (Buenos Aires!)

User avatar
taparoo
DMBTabs.com Authority
Posts: 8203
Joined: Sun Aug 06, 2006 1:22 am
Random movie quote to make you seem hip and "with it": There are five different types of chairs in this hotel room.

Unread post by taparoo » Thu Feb 08, 2007 7:37 pm

Sciaracastro wrote:
taparoo wrote:
Sciaracastro wrote:
taparoo wrote:
Nuladion wrote:I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.
Well, assuming E, B, C#m is the chord progression, I'd say you'd be in the key of E major because you are starting on the E, B is the fifth degree of the E major scale (the fifth is a common chord in progressions), and the C#m 'fits' into the chord formula for an E major scale (I ii iii IV V vi viidim).
since i'm not a "solo" man at all, w/ that progression which other keys can u use to solo?
I'd say E major would sound the best. But you could try using the E major scale for the E chord, the B major scale for the B chord, and the C#m scale for the C#m chord. You could also mess around with the A major scale over the chords, since those chords (E B C#m) 'work' in that scale. Try experimenting with different notes, find out what works and what doesn't.
how does a B chord work in A major scale??
i mean the B NOTE works in it, but so does in D and G scales, doesnt it?
you're right about the B, i was thinking of Bm. Bm works in A, not B major. And Bm works in the key of D major, and also in the key of G.

Sciaracastro
DMBTabs.com Authority
Posts: 2257
Joined: Wed Oct 15, 2003 3:53 pm
Location: Naples, Italy

Unread post by Sciaracastro » Thu Feb 08, 2007 8:05 pm

taparoo wrote:
Sciaracastro wrote:
taparoo wrote:
Sciaracastro wrote:
taparoo wrote:
Nuladion wrote:I figured I might as well ask it in here. What key would a song with a progression of E, B, C#m be in? And how would you go about figuring that out? I see they all fit in the D scale, so is it in D? Its capoed on 4 so the chords relative the capo are C, G, Am, if that matters at all.
Well, assuming E, B, C#m is the chord progression, I'd say you'd be in the key of E major because you are starting on the E, B is the fifth degree of the E major scale (the fifth is a common chord in progressions), and the C#m 'fits' into the chord formula for an E major scale (I ii iii IV V vi viidim).
since i'm not a "solo" man at all, w/ that progression which other keys can u use to solo?
I'd say E major would sound the best. But you could try using the E major scale for the E chord, the B major scale for the B chord, and the C#m scale for the C#m chord. You could also mess around with the A major scale over the chords, since those chords (E B C#m) 'work' in that scale. Try experimenting with different notes, find out what works and what doesn't.
how does a B chord work in A major scale??
i mean the B NOTE works in it, but so does in D and G scales, doesnt it?
you're right about the B, i was thinking of Bm. Bm works in A, not B major. And Bm works in the key of D major, and also in the key of G.

i was thinking...can i solo over that chord progression w/ an A, D or G major scale?

fede
DMBTabs.com Authority
Posts: 2769
Joined: Wed Nov 30, 2005 3:25 pm
Political views: Socialist
Random movie quote to make you seem hip and "with it": King Kong ain't got shit on me!
Location: home

Unread post by fede » Thu Feb 08, 2007 8:10 pm

E B C#m with A D G.

Mmmm...a tough thing.

I don't have my guitar with me, but you should give it a shot and see how it sounds...mainly it comes from there.

Fede
DMB shows been too:
Jul. 12-2008 (West Palm Beach)
Oct. 3-2008 (Buenos Aires!)
Oct. 14-2010 (Buenos Aires!)

Post Reply

Return to “General Guitar Discussion”

Who is online

Users browsing this forum: No registered users and 214 guests