I'm losing it (minor chords)

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fede
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I'm losing it (minor chords)

Unread post by fede » Sat Feb 03, 2007 11:59 pm

I've learning about the major scale and how chords are formed in it.

For example, in the key of C it's as follows:

C - Dm - Em- F - G - Am - Bº

Or G:

G - Am - Bm - C - D - Em - F#º

But I'm going nuts with the minor mode...

I mean...

Am - then what!?!??!?! which chord is major and which one is minor??? Please someone help me!

Just keep it clean, no theoretical explanation, i would appreciate it, but it takes me a lot of time to understand it in English...I know the words, but they just don't stay on.

Major progression:
--1------2---------3------4-------5---------6-----------7
Major - Minor - Minor - Major - Major - minor - dimished

Thanks again.

Fede
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Unread post by taparoo » Sun Feb 04, 2007 12:21 am

For minor all you do is start at the 6th degree of the major scale (think the 6th scale degree as the 1). So just start at the 6th degree of the scale and work your way through. You end up with:

i iiº III iv v VI VII for the chord formula
(lowercase = minor, uppercase = major)

So in the key of A minor you'd get:
Am Bº C Dm Em F G

Make sense?

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Unread post by fede » Sun Feb 04, 2007 12:26 am

Really?? it was that simple all along!?

Thanks a lot tapa, you're always there for me (heart). :P

So thats sort of the general formulae for all the scales??

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Unread post by taparoo » Sun Feb 04, 2007 12:28 am

fedelm wrote:Really?? it was that simple all along!?

Thanks a lot tapa, you're always there for me (heart). :P

So thats sort of the general formulae for all the scales??

Fede
If you're talking about the major scale formula (I ii iii IV V vi viiº), then yes, that's the scale that all other scales are 'related' to. When you see things like b7 when talking about scales, it's saying to flat the 7th in the major scale. You could say the major scale is what the other scales are built from.

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Unread post by fede » Sun Feb 04, 2007 1:29 am

SO there is no difference chord wise between a minor progression and a major one....only the order?

C:

C dm em F G am Bº

Am:

A Bº C d e F G

So a song could have any of those chords and the key would be the same, am I correct??

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Unread post by taparoo » Sun Feb 04, 2007 1:44 am

Fede wrote: SO there is no difference chord wise between a minor progression and a major one....only the order?
If you mean that a major scale and its aeolian mode (the natural minor scale taken from that major scale) have the same chords, just different order, then yes, you are right.
So a song could have any of those chords and the key would be the same, am I correct??
Yes, you could use any of those chords and still stay within the key you are playing in (and not worry about playing anything 'wrong', or out of place).

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Unread post by fede » Sun Feb 04, 2007 8:08 pm

Well that made me get it again.

THanks a lot!

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Unread post by Guitarlover22 » Mon Feb 05, 2007 9:14 pm

FYI...In a minor scale progression, the V chord is usally still played major (Or V7) because it's assumed the the 7th scale degree is played as a leading tone (G# in the key of A minor). That would also affect any other chord with the 7th scale degree in it. Hope it's not too technical.

Jimmy

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Unread post by fede » Mon Feb 05, 2007 11:08 pm

You kind of lost me there...

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Unread post by Sciaracastro » Mon Feb 05, 2007 11:18 pm

he basically said this:

here's Am chord progression

a Bº C d e F G

as u can see, u should play Em.

he said u can play it as a Emaj, because the 7th degree of Am scale is considered a leading tone. As u can see, the 7th degree of the scale (G#) is the note that changes Em (G note) into E (G#)

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Unread post by fede » Mon Feb 05, 2007 11:20 pm

Oh! I think I get it.

But the 7th note in Am is G, not G#...

A Bº C d e F G ??

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Unread post by Sciaracastro » Mon Feb 05, 2007 11:32 pm

fedelm wrote:Oh! I think I get it.

But the 7th note in Am is G, not G#...

A Bº C d e F G ??

Fede
indeed

i think he was talking about harmonic or melodic minor scale, because (i didnt notice it before lol) in a natural minor scale the 7th degree isnt a leading tone at all :lol:

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Unread post by Guitarlover22 » Tue Feb 06, 2007 7:51 am

...It is usually asumed when it comes to minor chord progressions that they are played using the 'harmonic' minor scale, not the 'natural' minor scale. The reason is to keep the V chord a dominant chord (V7). It has to do with rules that go back to the 1700's with J.S. Bach. Remember, rules are made to be broken...

Jimmy

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Unread post by taparoo » Tue Feb 06, 2007 5:21 pm

Guitarlover22 wrote:...It is usually asumed when it comes to minor chord progressions that they are played using the 'harmonic' minor scale, not the 'natural' minor scale. The reason is to keep the V chord a dominant chord (V7). It has to do with rules that go back to the 1700's with J.S. Bach. Remember, rules are made to be broken...

Jimmy
Hmmm... I always thought natural minor whenever I heard someone mention 'minor'.

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Unread post by fede » Tue Feb 06, 2007 7:42 pm

I thought of nothing normally...

Question: when in the LIOG jam dave and the band changes from the D starting jam....to the Em Starting jam. What does he change there??? Why is it easier to solo for a longer time in such a way?

I can't figure it out.

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