Capos, i just dont get it

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swift360
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Unread post by swift360 » Wed Oct 08, 2003 10:45 pm

NoNotThat wrote:I HEART CAPOS
im not sure why... but that made me smile :)
IT'S PEANUT BUTTER JELLY TIME!!!

jon01
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Unread post by jon01 » Thu Oct 09, 2003 10:11 am

another question. why would you play a song like stay or leave w/ the capo when you can just play it in standard tuning? i'm assuming dave plays it in drop b or whatever that is right?

- Jon

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bugman96
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Unread post by bugman96 » Thu Oct 09, 2003 10:54 am

jon01 wrote:another question. why would you play a song like stay or leave w/ the capo when you can just play it in standard tuning? i'm assuming dave plays it in drop b or whatever that is right?

- Jon
You play the same notes in each, but it produces different sounds. Playing it without the capo sounds more full.
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Unread post by Appfro » Thu Oct 09, 2003 11:43 am

jon01 wrote:another question. why would you play a song like stay or leave w/ the capo when you can just play it in standard tuning? i'm assuming dave plays it in drop b or whatever that is right?

- Jon
some people play it w/ the capo cause it "how dave plays it" in his baritone tuning. i play it in standard, but i did try it w/ a capo at 7. its actually a lot easier. but you're right, playing it w/ a capo doesn't sound nearly as good as standard.

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Unread post by DreaminBassMunky » Fri Oct 10, 2003 12:00 am

Also there is less resonace. I've noticed that the open chords in the standard tuned version sound far to open and less controlled. Baritone with a capo gives you far more control.
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Unread post by Appfro » Fri Oct 10, 2003 12:44 pm

i don't strum the entire song. i play the root notes and mute all but about 2 or 3 strings. then when playing the open stuff like the Em, i only play the lower 4 strings. that way i stay away from the B and high E. i do that for all the open chords in the song.

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