

man...bad analogies in the morning.
what's your musical opinion on boyd tinsley?pjdave1 wrote:Well, if you take note, I actually NEVER used the phrase "selling out", nor do I think it would apply to either band. If your reread my original post, I actually do really like U2, and I respect what they have done for rock music. As for not knowing anything about music, assuming that I am the person you are referring to, I am about to graduate with a BA in music and will be pursuing a masters in Music Technology, and I can recite the lyrics to any U2 song (as well as play damn near all of them on guitar ((yawn)), and can do the same for Pearl Jam). It would be silly to say that U2 has sold out, but it would be equally as silly to say that there is as much to Bono's lyrical content as there once was. As for good ole' Justin Timberlake, he is a VERY good singer, and exceptional dancer, but hardly what I would call a "musician". If you would like to hear a "musician", or musical ensemble, go listen to the Cleveland Orchestra, or Winton Marseilles, or Victor Wooten, or Dave Matthews, or Pearl Jam, or U2. If you fail to see why Justin Timberlake does not fit the bill, I would encourage you to do some research into what makes a person a "musician". Singing a song which was written in a studio, probably by someone else (not out of personal feeling or forum for voicing an opinion, but out of the quest to make a dollar) certainly does not constitute music, although it is a good example of capitalism. Look, the point is that Bono was good (one of the greatest) when he was doing Bono's thing, but "Beautiful Day" sounds too much like everything else.
Before vedder joined pearl jam he played in another band, I forget the name but he sang in a higher register. Which means what? More range.ticohans wrote: Sorry, but whoever said that Vedder has more range than Bono is simply wrong. I can sing all the Vedder stuff. I can't sing all the Bono stuff. Bono can do stuff in chest voice Vedder can't, and his falsetto extends his broad range even more. And why is there all this putting down for falsetto use???
Fatjack, the reason vedders voice so often copied is because it's great and unique. It most certainly is not easy to emulate.fatjack wrote:vedder has one of the most copied voices in "new rock" style. there is a reason for that: its not difficult to mimic
pjdave1 wrote:Elliot-
It's tough to answer what my musical opinion on Boyd Tinsley is- I've only been reading these boards for a few weeks, and I've noticed alot of criticism on his technical ability from people on these boards. There is little doubt that he misses a pitch every now and then when playing live, but I feel that technical ability is not necessarily the most important factor when making music. My first instrument is not guitar- I am an oboe player- and I have spent hour upon hour learning all forms of all scales and played hundreds of etudes for building technique, but when it comes down to it, technical ability simply builds the tools you need to make good music. Many musicians can play fast, difficult passages, but are doing little in the way of making music, and are actually just regurgitating notes. Sure, it sounds flashy, but is it music (is it coming from the players soul, or their fingers?)? I can tell you this- When I watch Mr. Tinsley play, I am inclined to believe that he is playing from inside. His improvisational skills are quite good, and although he may not be technically perfect, he has that special something that many players do not have- the ability to play with emotion. It is sort of like that poll about Tim Reynolds vs. Stevie Ray Vaughn- I can't, and won't, take away from the accomplishments of either one of these players, but Stevie Ray Vaughn has what Tim Reynolds lacks-(pardon the cliche) the ability to say with one note what Tim Reynolds says with about 100. In the end, Boyd Tinsley is an essential element to one of my favorite groups- it is important to remember that it is the dave matthews BAND, and that without any one of the individuals, they would not be what they are.
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