Warehouse Question

So you're amazed as to how Dave's rhythm guitar slaps and strums so "perfectly"...but you can't. Ask all things about Dave and his guitars here.

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clarkbar_07
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Warehouse Question

Unread post by clarkbar_07 » Fri Jan 12, 2007 8:49 pm

mlb1399 wrote:

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      1    e    &    a    2    e    &    a    3    e    &    a    4    e    &    a
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B                          x         x     x    x    x    x    x   x       x     x    
G     x    x    x    x     x         x     x    7    7    x    x   x       x     x 
D     x    x    x    x    11         x     x              9    9   x       x     x 
A     x    x    9    9                                             10      x     x
E     7    7      

    1    e    &    a    2    e    &    a    3    e    &    a    4    e    &    a
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B                         x         x   x    x    x    x    x    x                
G   x    x    x    x     x         x   x    7    7    x    x    x         x     x
D   x    x    x    x    11         x   x              9    9    x         x     x
A   x    x    9    9                                            10        9     7
E   7    7    


ok...i know i'm way out of my league tryin to play warehouse...but this isn't the correct tab is it...i realize this is supposed to be a representation of the strumming pattern...but aren't the mutes too early in this?
thanks
Andrew

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taparoo
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Unread post by taparoo » Fri Jan 12, 2007 8:52 pm

No. In order to play it really percussively, the way Dave plays it you need to mute those strings below the note your playing so that they won't ring out.

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Unread post by clarkbar_07 » Fri Jan 12, 2007 8:58 pm

i know the initial mutes under the notes..i'm talkin ab the mutes right after

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b ------- --x ---------------X
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Andrew

Hydro120
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Unread post by Hydro120 » Sat Jan 13, 2007 2:41 pm

Yeah I don't know why those are there.

But...there are several different "correct" ways to play it, rhythmically speaking. Dave has played it differently numerous times. In the earlier days, it was played as sixteenth notes, playing each note twice before moving to the next note. Later on, he would play it a little different, but that's the simplest way to explain it.

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taparoo
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Unread post by taparoo » Sat Jan 13, 2007 2:52 pm

clarkbar_07 wrote:i know the initial mutes under the notes..i'm talkin ab the mutes right after

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e --------------------------------            
b ------- --x ---------------X
g---------- X----------------X
d ----------11-------------- X
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Since Dave's picking hand is constantly moving, he won't stop between the notes played. instead he just mutes the strings while his hand keeps picking so that nothing will sound but a percussive "chik-chik" sound.

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Unread post by KicknGuitar » Sun Jan 14, 2007 11:06 am

taparoo wrote:Since Dave's picking hand is constantly moving, he won't stop between the notes played. instead he just mutes the strings while his hand keeps picking so that nothing will sound but a percussive "chik-chik" sound.
Stevie Ray Vaughan anyone?
"I tune low, play hard, and floor it. Floor it. That's technicl talk." -SRV

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taparoo
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Unread post by taparoo » Sun Jan 14, 2007 11:38 am

KicknGuitar wrote:
taparoo wrote:Since Dave's picking hand is constantly moving, he won't stop between the notes played. instead he just mutes the strings while his hand keeps picking so that nothing will sound but a percussive "chik-chik" sound.
Stevie Ray Vaughan anyone?
Bingo.

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Unread post by DrumsFoDaSoul » Sun Jan 14, 2007 1:37 pm

clarkbar_07 wrote:i know the initial mutes under the notes..i'm talkin ab the mutes right after

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e --------------------------------            
b ------- --x ---------------X
g---------- X----------------X
d ----------11-------------- X
A--------------------------------
E---------------------------------


Just listed to Live at Luther College and you will defintely hear it. Even Tim follows that muting.
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charliemike
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Unread post by charliemike » Mon Jan 22, 2007 6:33 pm

My advice is to get the Luther College version of Warehouse and start practicing with that from the very beginning of the song ... It really gives you a good way to practice the strumming rhythm and then you can start adding in the chords after you get the strumming down. After a while, you'll be able to start seeing where the muting makes the most sense.

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