warehouse scale

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AUT1080
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warehouse scale

Unread post by AUT1080 » Tue Apr 19, 2005 10:20 am

warehouse scale

warehouse is in Bm thats means the right scale must be in Bm
but what kind of scale should i use?
there are many different out there!
does anyone know which scale tim uses?
are there any ideas out for improve?

I need the same for liog
I gonna do few records, and I want to play all parts

thanks / I am sorry for my bad english, English is not my native tongue!

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mlb1399
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Unread post by mlb1399 » Tue Apr 19, 2005 10:22 am

I believe Tim plays a D mixolydian scale for warehouse.

LIOG, I would assume you could just play a D major scale maybe experiemnt with D minor pentatonic.

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Unread post by jellyfish » Tue Apr 19, 2005 11:17 am

mlb1399 wrote:I believe Tim plays a D mixolydian scale for warehouse.

LIOG, I would assume you could just play a D major scale maybe experiemnt with D minor pentatonic.
Look at you throwing out theory. You go boy :)

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Unread post by mlb1399 » Tue Apr 19, 2005 11:23 am

jellyfish wrote:
mlb1399 wrote:I believe Tim plays a D mixolydian scale for warehouse.

LIOG, I would assume you could just play a D major scale maybe experiemnt with D minor pentatonic.
Look at you throwing out theory. You go boy :)
Yeah apparently I destroyed every other brain cell besides the ones storing that information this weekend.

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Ranting Thespian
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Unread post by Ranting Thespian » Tue Apr 19, 2005 3:30 pm

scales? . . . what . . . are . . . scales?

*mind blows up from techinal info about guitar*
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Davy28
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Unread post by Davy28 » Tue Apr 19, 2005 3:44 pm

Ranting Thespian wrote:scales? . . . what . . . are . . . scales?

*mind blows up from techinal info about guitar*
ha ha ha hee hee hee

you're kidding, right? :lol:
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Unread post by jellyfish » Tue Apr 19, 2005 7:25 pm

You know some of us here don't really give a shit about the theory involved. We play guitar from what we do know and it makes us happy./
Last edited by jellyfish on Wed Apr 20, 2005 3:37 pm, edited 1 time in total.

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Unread post by dmfollower » Wed Apr 20, 2005 3:13 pm

jellyfish wrote:You know some of us here don't really give a ahit about the theory involved. We play guitar from what we do know and it makes us happy./
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Unread post by Kahn » Wed Apr 20, 2005 3:57 pm

jellyfish wrote:You know some of us here don't really give a shit about the theory involved. We play guitar from what we do know and it makes us happy./
dude, i heard some guy named Dave something did that, and got really famous :shock:

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Unread post by jellyfish » Wed Apr 20, 2005 5:39 pm

KahnTheRevelator wrote:
jellyfish wrote:You know some of us here don't really give a shit about the theory involved. We play guitar from what we do know and it makes us happy./
dude, i heard some guy named Dave something did that, and got really famous :shock:
I wonder if Dave will be able to tune his guitar this year to Drop d without any help. iswear it takes him forever when he has to manually tune.

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Unread post by fimester » Wed Nov 07, 2007 4:13 pm

mlb1399 wrote:I believe Tim plays a D mixolydian scale for warehouse.

LIOG, I would assume you could just play a D major scale maybe experiemnt with D minor pentatonic.
for those of us trying to become proficient in guitar theory...what's your best suggestion? private lessons? a book? a DVD? i've been playing almost a year and want to take my playing up a few notches, and knowing some theory would probably be pretty key to my development (no pun intended).

Thanks in advance.

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Unread post by b31182 » Wed Nov 07, 2007 7:03 pm

fimester wrote:
mlb1399 wrote:I believe Tim plays a D mixolydian scale for warehouse.

LIOG, I would assume you could just play a D major scale maybe experiemnt with D minor pentatonic.
for those of us trying to become proficient in guitar theory...what's your best suggestion? private lessons? a book? a DVD? i've been playing almost a year and want to take my playing up a few notches, and knowing some theory would probably be pretty key to my development (no pun intended).

Thanks in advance.
If you want to learn some scales and step up your playing a little bit, check out this website called jamcenter.com... it's got a lot of good info on scales and being able to play good lead. It has these jam machines that you can use too. You pick a genre of music, and the key that you want to jam in and it will play a backing track for you to jam to. It also shows you scales that work for each jam track if you click on the suggested scale part of the jam machine. There are also alot of books out there. If your short on cash, you can check out free video lessons on a tablature site called ultimate-guitar.com. On the main page, go to the lower right corner for the videos section and check out the video lessons they have. There are 2 guys that give lessons and they are both pretty good. Each video is a seperate subject (chord progressions, harmonics, etc.) Definately worth checking out. Hope this helps.
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Unread post by Donnyboo23 » Wed Nov 07, 2007 7:55 pm

there are 2 ways to play. just play shit that you learn or learn modes and scales and play different crazy shit everytime. it really helps knowing modes.

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Unread post by b31182 » Wed Nov 07, 2007 8:08 pm

Donnyboo23 wrote:there are 2 ways to play. just play shit that you learn or learn modes and scales and play different crazy shit everytime. it really helps knowing modes.
I know a lot about scales but nothing about modes, can you give me a basic idea of what they are and how they work?
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Unread post by TylerMoore » Mon Nov 12, 2007 11:51 pm

mlb1399 wrote:I believe Tim plays a D mixolydian scale for warehouse.

LIOG, I would assume you could just play a D major scale maybe experiemnt with D minor pentatonic.

Just for information... a D major scale would sound fine over the song which is in the key of B minor (D's relative minor), but B minor and D minor are not the same at all. D minor is the key of F (one flat- B), and that would be rather conflicting sounding over the chords in warehouse (which are B minor and G mostly).

I have no idea what a mixolydian scale is. But... in the key of B minor here is some general hierarchy of the "importance" of notes, as I see them:


1. B (root)
2. D (fifth/dominant)
3. F# (minor 3rd)
4. G (4th/subdominant)
5. A, C#, E
6. Everything else (these would be "accidentals", but could be good accent notes).


The higher up on the heirarchy the note is, the more "resolving" the note will do. if you end a run with a whole note of a Bb it is going to sound pretty conflicting, but if you end a fast run on a D note, it will resolve a lot more. It depends on the sound you are looking for. Hope that helps a little?
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