the real reason is because shorter strings vibrate less amount of times. I believe it sounds better on a raised B guitar because the entire length of the string can still vibrate and have the higher sound that raised B is used for.Grandpagotgame wrote:the standard version isn't too bad, I think the capo sounds so bad because it cuts the sound short since it is so high up on the fretboard
Stay or Leave with capo
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it sounds good in theory, then you do it, play the same two songs for 3 days, and say "alright, now what"DJR07 wrote:can't wait to get home - i'll have two at the same place finally, and my shitty ibanez is going straight into raised bGrandpagotgame wrote:That's why I want to have 2 guitars, so that one can be in raised B
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true, the only other song I know besides Dave's that is in raised B is Cabron by the Red Hot Chili Pepperseze3484 wrote:it sounds good in theory, then you do it, play the same two songs for 3 days, and say "alright, now what"DJR07 wrote:can't wait to get home - i'll have two at the same place finally, and my shitty ibanez is going straight into raised bGrandpagotgame wrote:That's why I want to have 2 guitars, so that one can be in raised B
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http://www.dmbtabs.com/boards/viewtopic ... 553#446553Grandpagotgame wrote:true, the only other song I know besides Dave's that is in raised B is Cabron by the Red Hot Chili Pepperseze3484 wrote:it sounds good in theory, then you do it, play the same two songs for 3 days, and say "alright, now what"DJR07 wrote:can't wait to get home - i'll have two at the same place finally, and my shitty ibanez is going straight into raised bGrandpagotgame wrote:That's why I want to have 2 guitars, so that one can be in raised B
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but thats my second guitar - what else would i do with it? my martin is for standard stuffeze3484 wrote:it sounds good in theory, then you do it, play the same two songs for 3 days, and say "alright, now what"DJR07 wrote:can't wait to get home - i'll have two at the same place finally, and my shitty ibanez is going straight into raised bGrandpagotgame wrote:That's why I want to have 2 guitars, so that one can be in raised B
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i like stay or leave with a capo...it sounds pretty good in my opinion... ya really gotta hit the strings at the right time though, and the chorus is a certain tempo..but once you pinpoint that, it sounds great i think
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Try to avoid the high e, and even the high b, and the song sounds good to me w a capo on 7. It is easier to play and sing when a capo is in a high position - for me atleast. Mayers 3x5 is another song with a high capo (8) that is awesome, mainly because its in that melodic, dreary, smooth key of Cminor - 'Mmmmm'. Beatles here comes the sun is also pretty high up there. 7 or 9 i believe. Play guitar
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bbatsell wrote:sounds great on my guitar.
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capo goes on the 7th fret and sounds perfect...just get the strumming down and this is by far my favorite song on some devil
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Ha ha I'm back on the boards...after a long hiatus and the need to find that funky riff for Lousiana Bayou necessitated a visit. Gotta comment on the SorL capo...
The slighty different voicings from the capo 2 version is slightly annoying. However, I've found its considerably LESS annoying than having to tune my guitar to raised B for one damn song (or two if you count YNK) AND breaking strings from all the "tuning around".
I can live with the capo, hell, it's even grown on me.
The slighty different voicings from the capo 2 version is slightly annoying. However, I've found its considerably LESS annoying than having to tune my guitar to raised B for one damn song (or two if you count YNK) AND breaking strings from all the "tuning around".
I can live with the capo, hell, it's even grown on me.
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