That's actually a pretty common thing, it cuts down on stage noise a ton. It's called a 'dog house.'STLflmmkr wrote:Its common to have an amp enclosed in a studio during recording but I dont know of anyone else who uses it live.
Dave's Rig
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totally new to meSTLflmmkr wrote:Dave Matthews has a sophisticated stage setup that involves 2 signal splits into 3 separate signal paths, an iso-cabbed amp, and some high end (BUT SUBTLE) EQ and processing. The action of his guitar is set to medium height to accommodate Dave's percussive playing and up-the-neck chord forms. Matthews currently uses D'Addario Acoustic Bronze 011's.
The piezo comes out of the endpin jack and goes into a belt pack transmitter, which is broadcast to a receiver. Out of the receiver the signal goes into a preamp via a 1/4" jack.
From the preamp the signal goes into a parametric EQ. A mixer allows for selection between the 2 guitar setups and provides emergency options in case one path malfunctions.
The basic guitar signal comes out of the mixer and into a multi-effects processor. Here the signal is split. One path goes to the venue sound system and is what the audience hears. The other path continues into another EQ and power amp and become the onstage monitor sound.
There is yet another split after the splitter. A signal is tapped off and sent into a Fender Hot Rod Deluxe Amp and is miked inside a completely enclosed soundproof box. The miked signal is blended into the overall sound at the mixer and is NOT used for onstage monitors and not heard by the band but mixed into what the audience hears. Matthews blends the slightly overdriven amp sound with his straight piezo signal to create a crunchier sound.
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Isn't the hot rod deluxe an electric guitar amp?guitardmb wrote:Or he might just use a different setup for solo and full band.Trippin Hillbilly wrote:That is awesome. Thanks.STLflmmkr wrote:Dave Matthews has a sophisticated stage setup that involves 2 signal splits into 3 separate signal paths, an iso-cabbed amp, and some high end (BUT SUBTLE) EQ and processing. The action of his guitar is set to medium height to accommodate Dave's percussive playing and up-the-neck chord forms. Matthews currently uses D'Addario Acoustic Bronze 011's.
The piezo comes out of the endpin jack and goes into a belt pack transmitter, which is broadcast to a receiver. Out of the receiver the signal goes into a preamp via a 1/4" jack.
From the preamp the signal goes into a parametric EQ. A mixer allows for selection between the 2 guitar setups and provides emergency options in case one path malfunctions.
The basic guitar signal comes out of the mixer and into a multi-effects processor. Here the signal is split. One path goes to the venue sound system and is what the audience hears. The other path continues into another EQ and power amp and become the onstage monitor sound.
There is yet another split after the splitter. A signal is tapped off and sent into a Fender Hot Rod Deluxe Amp and is miked inside a completely enclosed soundproof box. The miked signal is blended into the overall sound at the mixer and is NOT used for onstage monitors and not heard by the band but mixed into what the audience hears. Matthews blends the slightly overdriven amp sound with his straight piezo signal to create a crunchier sound.
Dave was using a matchless amp when he was here in Feb. He's probably replaced the hot rod with this since moving away from the chet. Awesome idea.
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The Hot Rod would be great for songs that usually have an electric but Dave plays them on acoustic like Drive In Drive Out. All the sound guy has to do is blend more of the overdrive and bam, electric guitar!
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