What segues do you like to play?

So you're amazed as to how Dave's rhythm guitar slaps and strums so "perfectly"...but you can't. Ask all things about Dave and his guitars here.

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i-am-me
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Unread post by i-am-me » Tue Jul 27, 2004 5:30 pm

I was thinking "that would be kick ass full band!" then i thought..."wait, that would butcher the shit out of LIOG."

haha, but if they WERE to tease LIOG, i think they should do that.
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Unread post by lyrics101 » Tue Jul 27, 2004 6:46 pm

When you're in a bad mood:

Minarets --> Dreamed I Killed God ---> Big Eyed Fish --> Spoon

You can go in circles with that thing for hours on end, and it'll just keep on flowing.
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Unread post by budlitebrad » Tue Jul 27, 2004 8:40 pm

^
|
|
Add Typical Situation after BEF and you're all set

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Unread post by NJPearce22 » Tue Jul 27, 2004 9:49 pm

Crush...>Don't Drink the Water or vice versa.
~Nate
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Unread post by Seek Up9803 » Tue Jul 27, 2004 10:21 pm

This one might be a little weird, but I like to play it. I do Gravedigger and when I get into it I start to play a little "harder" , if you know what I mean, and when I hit the E chord, I go into the Jimi Thing jam and finish it out with a Jimi Thing chorus and then verse.
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Unread post by ndfilth » Tue Jul 27, 2004 10:26 pm

Sometimes I'll slow the WWYS jam down and lead it into Crash. It's not the smoothest but it's all fun in the end.

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Unread post by NJPearce22 » Tue Jul 27, 2004 10:43 pm

NJPearce22 wrote:Crush...>Don't Drink the Water or vice versa.
Gotta elaborate a little bit on this! Just did a badass version! DDTW...>Crush...>DDTW!

You play DDTW until the "All i can say..." Bm! Start Crush there cause it's in Bm. Play Cursh all the way through and while jamming at the end go into the DDTW "And I live w/ my..." part and finish that song. Simply amazing it is!
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Unread post by Dan5290 » Tue Jul 27, 2004 10:57 pm

LIOG -> Ants -> LIOG (reprise)

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Unread post by Ranting Thespian » Wed Jul 28, 2004 1:01 am

I call this the "Great Segue"

WWYS => SMTS => ASTB => TM => TB

I play it all with high energy, and just meld them all together so it's like one song, the energy and everything flows smoothly. I have to take a break afterwards, though, mainly for my voice for sinigng it so powerful for so long.
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Unread post by UNHStudd » Wed Jul 28, 2004 8:19 am

my three favorite...
3. jimi into what will become of me into liog.
2. #34 tease into warehouse.
1. #41 into granny. the last chord of the #41 outro blends nicely with the first of granny. and if you play the last chord like he does on listener supported (as an arpeggio), you can calm it down nicely to break right in granny.

thats my two, er, three cents... but creativity can lead to any number of segues.

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Unread post by jojo321 » Wed Jul 28, 2004 12:49 pm

i do gravedigger ~> watchtower when im in a bad mood
~bk~

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Unread post by Dutch » Wed Jul 28, 2004 4:07 pm

i like to do Jimi>what will become of me>pnp> either liog or rapunzel


its pretty sweet to have the high energy of jimi then go down low and soft with what will become and pnp and then pick it back up with the liog
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Unread post by adamondo » Wed Jul 28, 2004 4:16 pm

Dutch17 wrote:i like to do Jimi>what will become of me>pnp> either liog or rapunzel


its pretty sweet to have the high energy of jimi then go down low and soft with what will become and pnp and then pick it back up with the liog

Yup.

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Unread post by jojo321 » Wed Jul 28, 2004 4:34 pm

my new fave segue

gravedigger > watchtower > halloween

ultimate bad mood



but rarely am i in a bad mood, so its just a really fun low-to-high-energy set to play
~bk~

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Unread post by NJPearce22 » Thu Jul 29, 2004 12:36 am

Watchtower...>Halloween...>Watchtower is a given!

Satellite...>Warehouse (played in trasition with Satellite fretting and Warehouse strumming. Kinda like the stop time intro!)

Crush...>WWBOM...>PNP...>Billies...>Grey Street! (Fun!)

PNP...>LIOG...>Ants

WWYS...>Halloween (Transition from WWYS 355xxx into Halloween chorus)

BOWA...>LIOG...>Ants

I had fun today seeing what songs could be molded together! I had a good time too! :P
~Nate
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