So you're amazed as to how Dave's rhythm guitar slaps and strums so "perfectly"...but you can't. Ask all things about Dave and his guitars here.
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smetz
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- Joined: Thu Apr 03, 2003 10:41 pm
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by smetz » Thu Apr 03, 2003 11:03 pm
gravedigger wrote:I thought the point of naming chords is to make it easier
x-12-11-12-13-x to me is A7b10

. the A7 takes care of 12-11-12 and the b10 takes care of the other note which is an octave above a minor 3rd up from the root note A.
any takers on this "logic'?
This is very close. The
X
13
12
11
12
X
Chord is 'officially' called an A7#9
It can be heard in a lot of blues-ish rock, such as Jimi Hendrix's Come On (Part I) , etc.
-SMetz
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gravedigger
- DMBTabs.com Authority
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Unread post
by gravedigger » Fri Apr 04, 2003 9:02 pm
smetz wrote:gravedigger wrote:I thought the point of naming chords is to make it easier
x-12-11-12-13-x to me is A7b10

. the A7 takes care of 12-11-12 and the b10 takes care of the other note which is an octave above a minor 3rd up from the root note A.
any takers on this "logic'?
This is very close. The
X
13
12
11
12
X
Chord is 'officially' called an A7#9
It can be heard in a lot of blues-ish rock, such as Jimi Hendrix's Come On (Part I) , etc.
-SMetz
ah yes, it makes more sense to call it a #9 than a b10. the chord has kinda the same effect as a diminished chord eh? it can fit anywhere on all keys.
good, and you?
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